Beacon Lights of History, Volume 3 part 2: Renaissance and ReformationLord, John
History
Beacon Lights of History, Volume 3 part 2: Renaissance and Reformation
Lord, John
History
Of this motley company of pilgrims, I have already spoken of the
prioress,--a woman of high position. In contrast with her is the
wife of Bath, who has travelled extensively, even to Jerusalem and
Rome; charitable, kind-hearted, jolly, and talkative, but bold and
masculine and coarse, with a red face and red stockings, and a hat
as big as a shield, and sharp spurs on her feet, indicating that
she sat on her ambler like a man.
There are other characters which I cannot stop to mention,--the
sailor, browned by the seas and sun, and full of stolen Bordeaux
wine; the haberdasher; the carpenter; the weaver; the dyer; the
tapestry-worker; the cook, to boil the chickens and the marrow-
bones, and bake the pies and tarts,--mostly people from the middle
and lower ranks of society, whose clothes are gaudy, manners rough,
and language coarse. But all classes and trades and professions
seem to be represented, except nobles, bishops, and abbots,--
dignitaries whom, perhaps, Chaucer is reluctant to describe and
caricature.
To beguile the time on the journey to Canterbury, all these various
pilgrims are required to tell some story peculiar to their separate
walks of life; and it is these stories which afford the best
description we have of the manners and customs of the fourteenth
century, as well as of its leading sentiments and ideas.
The knight was required to tell his story first, and it naturally
was one of love and adventure. Although the scene of it was laid
in ancient Greece, it delineates the institution of chivalry and
the manners and sentiments it produced. No writer of that age,
except perhaps Froissart, paints the connection of chivalry with
the graces of the soul and the moral beauty which poetry associates
with the female sex as Chaucer does. The aristocratic woman of
chivalry, while delighting in martial sports, and hence masculine
and haughty, is also condescending, tender, and gracious. The
heroic and dignified self-respect with which chivalry invested
woman exalted the passion of love. Allied with reverence for woman
was loyalty to the prince. The rough warrior again becomes a
gentleman, and has access to the best society. Whatever may have
been the degrees of rank, the haughtiest nobleman associated with
the penniless knight, if only he were a gentleman and well born, on
terms of social equality, since chivalry, while it created
distinctions, also levelled those which wealth and power naturally
created among the higher class. Yet chivalry did not exalt woman
outside of noble ranks. The plebeian woman neither has the graces
of the high-born lady, nor does she excite that reverence for the
sex which marked her condition in the feudal castle. "Tournaments
and courts of love were not framed for village churls, but for
high-born dames and mighty earls."
Public-domain text, read in full here on John Shaqi.
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