Beauty: Illustrated Chiefly by an Analysis and Classification of Beauty in WomanWalker, Alexander
Philosophy
Beauty: Illustrated Chiefly by an Analysis and Classification of Beauty in Woman
Walker, Alexander
Beauty, Personal; Women
The power of Beauty operates widely, and everywhere. It takes the good man
captive as well as the miscellaneous one, who has no definite rule to
guide him on his wanderings. It bows the masters and teachers of men at
its shrine, as well as the scholars and children of life. It draws the
merchant from his desk--the philosopher from his chair. It gives new
utterance to the poet, while it wins the statesman to confess that there
is some virtue in the outside of the world, after all, and some attraction
apart from the chaos of cabinets and broad seals.
There is a beautiful exemplification of this power given by Florian, in
his story of a Theban sculptor. He is a wandering orphan in the streets
of his native city, and his first entrance into the workshop of the
celebrated Praxitiles well proves the truth of what we have set down in
the foregoing pages.--"He is suddenly transported on beholding so many
masterpieces of art! He gazes upon them--he is lost in admiration! and
turning to Praxitiles with an air of grace and juvenile freedom, "Father,"
cried he, "give _me_ the chisel, and teach me to become as great as thou
art." Praxitiles stared at the boy, astonished at the fire of enthusiasm
which kindled in his eyes, and embracing him with affection, "Yes!" said
he, "remain with me; I will now be _your_ master, but my hope shall be
that you may soon be _mine_."
The pupil soon becomes worthy of his teacher. He becomes the heir of his
fortune, and removes to Miletus. There, the daughter of the governor
visits his statuary, and from the time of that visit, his destiny is
sealed. Love usurps the place of every other passion, and the chisel is
cast aside in silence, under that supremacy. The Venus of marble that
adorned his study, was no longer a Venus before that living one which
filled his eye and his bosom. He felt that he must tell his love, or die.
He declares it, in a hurried letter--a slave betrays him--and the
indignant father accuses him before the council. He is banished from the
city--and embarks in a Cretan vessel.
Public-domain text, read in full here on John Shaqi.
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