The eyelids in woman, when well formed, present the gentlest inflexions. The eyelashes, when long and silky, form a sign of gentleness, and sometimes of softness. The eyebrows ought to be furnished with fine hairs, arched, and separated: if they are too thin, they do not sufficiently protect the organ of sight: if they unite, they render the physiognomy sombre; their too-marked approximation, and their extreme separation, are real deformities. The sense of sight in woman is rapid and active; yet, in her, the slow and languid motion of the eye is generally employed, and is more beautiful than a brisk one. Woman requires a mild light, and colors of moderate vividness, rather than otherwise. The beauty of the EAR is too little regarded. To an experienced eye it presents great beauties, and great deformities, in form, magnitude, and projection. The size and prominence of the ear, which characterize several nomadic tribes, are contrary to beauty, not merely because they alter the regularity of the oval of the head, and surcharge its outline with prominences, but because they are in themselves ugly, indicating rather the coarse strength common to inferior animals than the delicacy to be found in man. In woman, the ear is also more delicate, more sensible, but more feeble, than in man. Strong sounds, loud noises, which may be agreeable to the ear of man, are offensive to her. She prefers soft and tender, gay, or pathetic music, to every other; and whatever may be the perfection of her musical education, she also prefers sweet and tender melody to the most complicated Sclavonic harmony. Such are the organs of sense or those of impression, which form the first and most important portion of the face of woman.--The organs of expression, the MUSCLES of the face, on the contrary, are feeble in her; and correspondingly feeble and rounded are the bony points to which they are attached. Woman presents very little prominence of the frontal sinuses; the cheek-bones display beautiful curves; the edges of the alveoli containing the teeth are much more elliptical than in man; and the chin is softly rounded. Of the chin, it should be observed that it is a distinctive character of the human species, and is not found in any other animal. When well formed, it is full, united, and generally without a dimple; and it passes gently and almost insensibly into the neighboring parts. In woman especially, the chin ought to be finely rounded; for when projecting, it expresses, owing to its connexion with muscular action and power, a firmness and a determination which we do not wish to discover in her character. "The apparent convexity of the cheeks," says Winckelmann, "which in many heads appears greater than natural, contributes to this rotundity: it is not, however, ideal, but taken from natural beauty."