"These two masterpieces of art are seen together in the same apartment at Rome, where the Antinous fills the spectator with admiration only, while the Apollo strikes him with surprise, and, as travellers express themselves, with an appearance of something more than human; which they of course are always at a loss to describe: and this effect, they say, is the more astonishing, as, upon examination, its disproportion is evident even to a common eye. One of the best sculptors we have in England, who lately went to see them, confirmed to me what has been now said, particularly as to the legs and thighs being too long, and too large for the upper parts. "Although, in very great works, we often see an inferior part neglected, yet here it cannot be the case, because, in a fine statue, just proportion is one of its essential beauties: therefore, it stands to reason, that these limbs must have been lengthened on purpose, otherwise it might have been easily avoided. "So that if we examine the beauties of this figure thoroughly we may reasonably conclude, that what has been hitherto thought so unaccountably excellent in its general appearance, has been owing to what has seemed a blemish in a part of it: but let us endeavor to make this matter as clear as possible, as it may add more force to what has been said. "Statues, by being bigger than life (as this one is, and larger than the Antinous), always gain some nobleness in effect, according to the principle of quantity, but this alone is not sufficient to give what is properly to be called greatness in proportion.... Greatness of proportion must be considered as depending on the application of quantity to those parts of the body where it can give more scope to its grace in movement, as to the neck for the larger and swanlike turns of the head, and to the legs and thighs, for the more ample sway of all the upper parts together. "By which we find that the Antinous being equally magnified to the Apollo's height, would not sufficiently produce that superiority of effect, as to greatness, so evidently seen in the latter. The additions necessary to the production of this greatness in proportion, as it there appears added to grace, must then be, by the proper application of them to the parts mentioned only. "I know not how farther to prove this matter than by appealing to the reader's eye, and common observation, as before.... The Antinous being allowed to have the justest proportion possible, let us see what addition, upon the principle of quantity, can be made to it, without taking away any of its beauty.