Beauty: Illustrated Chiefly by an Analysis and Classification of Beauty in WomanWalker, Alexander
Philosophy
Beauty: Illustrated Chiefly by an Analysis and Classification of Beauty in Woman
Walker, Alexander
Beauty, Personal; Women
"If we imagine an addition of dimensions to the head, we shall immediately
conceive it would only deform--if to the hands or feet, we are sensible of
something gross and ungenteel--if to the whole lengths of the arms, we
feel they would be dangling and awkward--if, by an addition of length or
breadth to the body, we know it would appear heavy and clumsy--there
remains then only the neck, with the legs and thighs to speak of; but to
these we find, that not only certain additions may be admitted without
causing any disagreeable effect, but that thereby greatness, the last
perfection as to the proportion, is given to the human form, as is
evidently expressed in the Apollo."
This is well done by Hogarth. It required but a little anatomical
knowledge to see the reason of this. The length of the neck, by which the
head is farther detached from the trunk, shows the independence of the
higher intellectual system upon the lower one of mere nutrition; and the
length of limbs shows that the mind had ready obedience in locomotive
power.
I have now to obviate some OBJECTIONS to the existence of simple, pure,
high, and perfect ideal beauty, objections, which writers on this subject
have hitherto neglected.
Alison says: "The proportions of the form of the infant are very different
from those of youth; these again from those of manhood; and these again
perhaps still more from those of old age and decay.... Yet every one
knows, not only that each of these periods is susceptible of beautiful
form, but, what is much more, that the actual beauty in every period
consists in the preservation of the proportions peculiar to that period,
and that these differ in every article almost from those that are
beautiful in other periods of the life of the same individual."
But the beauty of the infant is not perfect beauty: it is that, on the
contrary, of mere promise, not that of fulfilment. So also the beauty of
old age is not perfect beauty: it is that, on the contrary, which affects
and interests us chiefly by the regret we feel that its perfection has
passed, or is gradually vanishing.
Public-domain text, read in full here on John Shaqi.
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