Beauty: Illustrated Chiefly by an Analysis and Classification of Beauty in WomanWalker, Alexander
Philosophy
Beauty: Illustrated Chiefly by an Analysis and Classification of Beauty in Woman
Walker, Alexander
Beauty, Personal; Women
"But waiving this refinement, it will be sufficient for our purpose to
consider a single muscle as having a simple action, an action which cannot
be sustained with uniformity a minute of time without actual pain, nor a
second of time with positive pleasure. This, however, is not to be
understood as an attempt to fix these limits with precision. To express
the law in more general terms, as we diminish the duration of a muscle's
action we diminish the pain until we arrive at an action whose attendant
sensation is neutral, i. e., neither painful nor pleasurable; as soon as
we have passed that point and have begun to execute motions a little more
transient, the attendant sensation becomes positively pleasurable, and the
pleasure increases as the separate actions become more transient. It is
not necessary to infer that there is attending each action of shorter
duration a pleasure exceeding that which attends each action of greater
duration; for the more transient actions are, in a given time, more
numerous; so that with the same amount of pleasure for each muscular
contraction, the amount of pleasurable sensation in a given time--say a
second--would exceed the amount attending the less frequent and more
prolonged actions in the same period: a greater number of separate
impressions become--so to speak--crowded together and condensed, and thus
produce a more vivid pleasure. Several contiguous impressions thus
conspire to heighten the contemporaneous effect, inasmuch as we are unable
to distinguish those impressions which are made at very short intervals on
the muscular sense, any more than we are those made at very short
intervals on the retina. We have an example of the latter in the familiar
experiment of swinging a coal of fire in a circle, and in various optical
instruments for combining colors and images.
"The proposition which I have endeavored to establish is, that there is a
neutral point to which, if constant action is prolonged, its pleasurable
character begins to be reversed; that the vividness of the sensation
increases with the distance from this point, being on the one side
pleasurable, on the other painful; the more transient the actions are, the
more pleasurable; the more prolonged they are, the more painful.
"I am of opinion that this physiological principle is susceptible of
interesting applications to a class of pleasures, which metaphysicians
have regarded as exclusively mental, and dependant upon certain supposed
ultimate principles of the constitution of mind, principles not resolvable
into others more elementary. As physiology shall advance, it may be
expected that many of these imaginary elements will yield to its searching
analysis. Whether the writer has been so fortunate as to resolve any of
the generally admitted elements of mental taste, the reader will be able
to judge from the sequel.
Public-domain text, read in full here on John Shaqi.
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