The purpose and the zest of artful decency are well illustrated by coquetry. Coquetry adopts a general concealment, which it well knows can alone give a sensual and seductive power to momentary exposure. Coquetry eschews permanent exposure as the bane of sensuality and seduction; and where these are great, as among the women of Spain, the concealment of dress is increased, even in warm climates. Nothing can throw greater light than this does on the nature of these decencies. That coquetry has well calculated her procedure, does not admit of a doubt. She appeals to imagination, which she knows will spread charms over even ugly forms; she seeks the concealment under which sensuality and lust are engendered; and, in marriage, she at last lifts the veil which gratifies, only to disgust, and repays a sensual hallucination by years of misery. Ought religion to claim the right of saying grace to such unveiling of concealment and the nuptial rites that follow it? Ought religion to profit by the impurities of sexual association? Marriage is a civil ceremony in other countries, even in Scotland. Such profane and profitable sanctions have nothing to do with primitive Christianity: they are abhorrent to its letter as well as to its spirit. But worldly and profitable religion is connected in business with government, under the firm of Church and State, and drives a thriving trade, in which the junior partner is contented with the profit arising from the common acts of life, while the senior one draws much of his living from other rites.[2] What is said here, is no argument for living nudity: that, our climate and our customs forbid; and, in so doing, we can only regret that they are unfavorable to natural purity; while perfect familiarity with the figure ensures that feeling in the highest degree. A distinguished artist informs me that greater modesty is nowhere to be seen than at the Life academy; and it was an observation of the great Flaxman, that "the students, in entering the academy, seemed to hang up their passions with their hats." I can, from personal experience, give the same testimony in behalf of medical students at the dissecting-rooms. The familiarity of both these classes with natural beauty leads them only to seek to inform their minds and to purify their taste.[3] Sinibaldi observes, that "nothing is more injurious to morals and to health, than the incitements of the women who in such numbers walk our streets," and that "the laws as to offences against morals ought certainly to affect them the moment their language or actions can be deemed offensive." But it is not to those who are critically conversant with the highest beauty of the human figure, that defective forms, ill-painted skins, rude manners, and contagious diseases, are at all seductive.