"What, for instance, is the impression we feel from the scenery of spring? The soft and gentle green with which the earth is spread, the feeble texture of the plants and flowers, the young of animals just entering into life, and the remains of winter yet lingering among the woods and hills--all conspire to infuse into our minds somewhat of that fearful tenderness with which infancy is usually beheld. With such a sentiment, how innumerable are the ideas which present themselves to our imagination! ideas, it is apparent, by no means confined to the scene before our eyes, or to the possible desolation which may yet await its infant beauty, but which almost involuntarily extend themselves to analogies with the life of man, and bring before us all those images of hope or fear, which, according to our peculiar situations, have the dominion of our heart!--The beauty of autumn is accompanied with a similar exercise of thought. "Whatever increases this exercise or employment of imagination, increases also the emotion of beauty or sublimity. "This is very obviously the effect of all associations. There is no man who has not some interesting associations with particular scenes, or airs, or books, and who does not feel their beauty or sublimity enhanced to him by such connexions. The view of the house where one was born, of the school where one was educated, and where the gay years of infancy were passed, is indifferent to no man. "In the case of those trains of thought, which are suggested by objects either of sublimity or beauty, it will be found, that they are in all cases composed of ideas capable of exciting some affection or emotion; and that not only the whole succession is accompanied with that peculiar emotion which we call the emotion of beauty or sublimity, but that every individual idea of such a succession is in itself productive of some simple emotion or other. "Thus the ideas suggested by the scenery of spring, are ideas productive of emotions of cheer fulness, of gladness, and of tenderness. The images suggested by the prospect of ruins, are images belonging to pity, to melancholy, and to admiration. The ideas, in the same manner, awakened by the view of the ocean in a storm, are ideas of power, of majesty, and of terror." To prevent circumlocution, such ideas may be termed ideas of emotion; and the effect which is produced upon the mind, by objects of taste, may be considered as consisting in the production of a regular or consistent train of ideas of emotion.