Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costumeHuneker, James
History
Bedouins: $b Mary Garden, Debussy, Chopin or the circus, Botticelli, Poe, Brahmsody, Anatole France, Mirbeau, Caruso on wheels, Calico cats, The artistic temperament; Idols and ambergris, with The supreme sin, Grindstones, A masque of music, and The vision malefic; with various portraits of Mary Garden in operatic costume
Huneker, James
Garden, Mary, 1874-1967; Music -- History and criticism; Sopranos (Singers)
A true artist abhors the ascription of temperament, keeping within the
sanctuary of his soul the ideal that is the mainspring of his creation.
The true artist temperament is, in reality, the perception and
appreciation of beauty, whether in pigment, form, tone, words, nature,
or in the loftier region of moral rectitude. It may exist coevally with
a strong religious sense. And it may be gayly pagan. But always for
the serious artist the human body is the temple of the Holy Ghost, as
Mother Church, profoundest of psychologists, has taught. The dignity
of men and women dare be violated only at the peril of their immortal
souls. The artistic temperament adds new values to every-day life and
character. But its possessor must not parade this personal quality
as an excuse for self-indulgence. That he leaves to the third-rate
artisan, to the charlatan, to the buffoon who grins through a horse
collar, to the vicious who shield their vileness behind a torrid
temperament. Now, art and sex are correlated. Sex is the salt of life.
Art without sex is flavorless, hardly art at all, a frozen simulacrum.
All great artists are virile. And their greatness consists in the
victory over their temperaments; not in the triumph of mind over
matter--futile phrase--but in a synthesis, the harmonious comminglement
of intellect and artistic material. Sensualist your artist may be, but
if he is naught else, then his technical virtuosity avails him not. He
cannot achieve artistic grandeur. The noblest art is the triumph of
imagination over temperament.
Too often a rainbow mirage is this entering into wedlock of two
congenial souls.
When He whispers--it is the marrying month of June and the moon swims
above in the tender blue--“Why, dear, it is just as easy for two to
live as one on fifty dollars a week,” the recording angel smiles, then
weeps. Nor has the hardy young adventurer spiders on his ceiling.
He dares to be a fool, and that is the first step in the path of
wisdom. But She? Oh, She is enraptured. Naturally they will economize;
occasional descents into cheap Bohemias; sawdust, pink wine, pinker
wit, pinkest women. No new gowns. No balls. No theatres. No operas.
No society. It is only to be Art, Art, Art! So they bundle their
incompatible temperaments before an official and are made one. At least
they are legally hitched. She plays the piano. He paints. A wonderful
vista, hazy with dreams, spreads before them. She will teach a few
pupils, keep up her practice, and save enough to study some day with
a pupil of a pupil of Leschetizky. He will manfully paint, yes, a few
portraits, though landscape is his ambition. But it is hard to resist
the bribes of our dear common life. They try, they fail.
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