As its mind expands, new mysteries of the universe unfold themselves through the same interpreter. It learns to see through the hollowness of promises and threats before it knows the words in which they are framed. With the knowledge of words comes the knowledge of their use as means of concealing the truth and gaining its little ends. Then the painful experience of discipline and punishment reveals the same motherly figure in the new light of a protector and comforter, and it learns to contrast her with the stern persons whom she has taught it to call pa-pa and ma-ma. When they refuse anything on which it has set its childish heart, it knows to whom to go for sympathy. She will console it and teach little artifices, by which it may evade or circumvent them. She supplies discipline of another kind, however, and the yet simple trusting mind of the little Pantheist lives in terror of papa’s red-faced friend with the big stomach, who eats up ten or twelve little children every day, and of the Borah with the great box full of black ants, in which he shuts up naughty boys till the ants pick the flesh from their disobedient bones. When it goes to the bandstand, it gazes from a safe distance on the big drum, full of boys and girls who would not let their hair be combed: it hears their groans at every stroke of the terrible drumstick. Thus the religious side of the tender nature is developed, and _Ayah_ is the priestess. Under the same guidance it will, as it grows older, tread paths of knowledge which its parents never trod. Whither will they lead it? We know not who never joined in the familiar chat of _Ayahs_ and servants, but imagination “bodies forth the forms of things unseen” and shudders. Let us rejoice that a merciful superstition, which regards the climate of India as deadly to European children, will step in and save the little soul. The climate would do it no harm, but there is a moral miasma more baneful than any which rises from the pestilential swamps of the Terai, or the Bombay Flats. [Picture: The Ayah] P. S.—I have just taken another look at our present _Ayah_. She is a little old woman from Goa, with humorous “crow’s feet” at the corners of her kind eyes. She is very retiring and modest, and all the servants seem fond of her. It is evident that nature is various, and we cannot all be types. R. R. THE PUNDIT. [Picture: The Pundit]