Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
My first impression of Berlin was the long cement platform gliding by, a
dazzling brilliance of great arc lamps and a rumbling chorus of song.
Pulling down the compartment window I caught the words "_Wir kämpfen
Mann für Mann, für Kaiser und Reich!_" And leaning out I could see down
at the other end of the Friederichstrasse Station a regiment going to
the front.
Flowers bloomed from the long black tubes from which lead was soon to
pour; wreaths and garlands hung from cloth covered helmets; cartridge
belts and knapsacks were festooned with ferns. The soldiers were all
smoking; cigars and cigarettes had been showered upon them with prodigal
hand. Most of them held their guns in one hand and packages of
delicacies in the other; and they were climbing into the compartments
or hanging out of the windows singing, always singing, in the terrific
German way. Later I was to learn that they went into battle with the
"Wacht am Rhein" on their lips and a wonderful trust in God in their
hearts.
I felt that trust now. I saw it in the confident face of the young
private who hung far out of the compartment in order to hold his wife's
hand. It was not the way a conscript looks. This soldier's blue eyes
sparkled as with a holy cause, and as I watched this man and wife I
marveled at their sunny cheer. I saw that each was wonderfully proud of
the other and that this farewell was but an incident in the sudden
complexity of their lives. The Fatherland had been attacked: her man
must be a hero. It was all so easy, so brimming with confidence. Of
course he would come back to her.... You believed in the Infinite
ordering of things that he would.
Walking on down the platform I saw another young man. They were all
young, strapping fellows in their new uniforms of field gray. He was
standing beside the train; he seemed to want to put off entering the car
until the last minute. He was holding a bundle of something white in his
arms, something that he hugged to his face and kissed, while the woman
in the cheap furs wept, and I wondered if it was because of the baby she
cried, while that other childless young wife had smiled.
Back in the crowd I saw a little woman with white hair; she was too
feeble to push her way near the train. She was dabbing her eyes and
waving to a big, mustached man who filled a compartment door and who
shouted jokes to her. And almost before they all could realize it, the
train was slipping down the tracks; the car windows filled with singing
men, the long gray platform suddenly shuffling to the patter of men's
feet, as though they would all run after the train as far as they could
go. But the last car slipped away and the last waving hand fell weakly
against a woman's side. They seemed suddenly old, even the young wife,
as they slowly walked away. Theirs was not the easiest part to play in
the days of awful waiting while the young blood of the nation poured out
to turn a hostile country red.
Public-domain text, read in full here on John Shaqi.
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