Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
I thought I had caught the German spirit at Lübeck and at the café in
Hamburg when the hero of the Iron Cross had declined to tell me his
tale; but this sensation that had come with my setting foot on the
Berlin station--this was something different. Fifteen hundred men going
off to what?--God only knows!--fifteen hundred virile types of this
nation of virility; and they had laughed and they had sung, and they had
kissed their wives and brothers and babies as though these helpless ones
should only be proud that their little household was helping their
Fatherland and their Emperor. Self? It was utterly submerged. On that
station platform I realized that there is but one self in all Germany
to-day and that is the soul of the nation. Nothing else matters; a
sacrifice is commonplace. Wonderful? Yes. But then we Americans fought
that way at Lexington; any nation can fight that way when it is a thing
of the heart; and this war is all of the heart in Germany. As we walked
through the station gates I understood why three million Socialists who
had fought their Emperor in and out of the Reichstag, suddenly rallied
to his side, agreeing "I know no parties, only Germans." I felt as I
thought of the young faces of the soldiers, cheerfully starting down
into the unknown hell of war, that undoubtedly among their number were
Socialists. In this national crisis partizan allegiance counted for
nothing, they had ceased dealing with the Fatherland in terms of the
mind and gave to it only the heart.
Even in Berlin I realized that war stalks down strange by-paths. It
forever makes one feel the incongruous. It disorders life in a monstrous
way. I have seen it in an instant make pictures that the greatest artist
would have given his life to have done. It likes to deal in contrasts;
it is jolting....
With General von Loebell I walked across the Doeberitz camp, which is
near Berlin. At Doeberitz new troops were being drilled for the front.
We walked towards a dense grove of pines above which loomed the sky,
threateningly gray. Between the trees I saw the flash of yellow flags; a
signal squad was drilling. Skirting the edge of the woods we came to a
huge, cleared indentation where twenty dejected English prisoners were
leveling the field for a parade ground. On the left I saw an opening in
the trees; a wagon trail wound away between the pines. And then above
the rattling of the prisoners' rakes I heard the distant strains of a
marching song that brought a lump to my throat. Back there in the woods
somewhere, some one had started a song; and countless voices took up the
chorus; and through the trees I saw a moving line of gray-green and down
the road tramped a company of soldiers. They were all singing and their
boyish voices blended with forceful beauty. "In the Heimat! In the
Heimat!" It was the favorite medley of the German army.
Public-domain text, read in full here on John Shaqi.
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