Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
If ever I return to Charleville and want to go to the Hotel de Commerce,
it will be impossible without a guide. I remember going the length of a
long street of shady trees, crossing a wide square, and then turning off
into a narrow alley where ancient lanterns, well masked, hung over from
grilled wall brackets. I remember flashing my electric pocket lamp down
on the cobbled street, for just an instant, when Herrmann dropped his
gloves. We stumbled down a blind alley that called to mind the
habitation of François Villon in "The Lodging for a Night." Then
Herrmann was rattling the knocker on the huge oaken doors of a two story
flat-roofed house that looked a century old. The door groaned back and I
found myself gazing into the blinking eyes of an old portier who held a
candle and who would have demanded what we wanted had he not suddenly
spied the military gray of Herrmann's cape and at once asked us to come
in.
The few hours I slept that night were in a venerable, four-posted bed,
in a low-ceilinged, high-casemented room such as you sometimes see on
the stage in a romantic play. I remember hearing a rapping on the door,
almost as soon, it seemed, as I had closed my eyes.
Five o'clock! And I heard the portier shuffling down the hall and then
the hollow, rapping sound of another early morning call on the
Ober-Lieutenant's door. Below in the alley panted one of the gray-green
army motors waiting to bring us to the station. Cold sprouts, coffee,
and a roll, and we had climbed into a compartment of the train for
Lille. From now on, soldiers with fixed bayonets composed the train
crew. We crossed a wooden trestle built by German pioneers high above a
green swirl of water between pretty trees, and on the left we saw the
ruins of a stone bridge dynamited by the French. We rushed out at St.
Vincennes to eat at an officers' mess, and as the train moved on I saw
at a siding a long line of cars, their sides and roofs marked with the
Red Cross; and even as we passed I saw two stretchers being borne along
the track and lifted with their wounded through the open windows of one
of the cars. I saw a white bandaged leg as the stretcher tilted and then
the attendants inside the car covered it from sight. Hourly the front
drew nearer.
Trenches appeared. The train suddenly slid into a station and stopped.
We were in Lille. While two soldiers were loading the luggage,
photograph apparatus and all, upon a small truck, Herrmann suddenly
plucked my arm. "Look," he exclaimed, pointing up at the huge
glass-domed roof. I saw there a big hole, edged with splintered glass,
and a fragment of blue sky beyond. "That's the hole made by a French
aeroplane bomb. The Staff told me to look for it when we came to Lille.
The bomb never exploded and was picked up on the tracks over there."
Public-domain text, read in full here on John Shaqi.
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