Behind the Scenes in Warring GermanyFox, Edward Lyell
History
Behind the Scenes in Warring Germany
Fox, Edward Lyell
World War, 1914-1918 -- Personal narratives
Not the most reassuring thought in the world, that French fliers had
marked this place for destruction. In the waiting-rooms I saw nothing
but soldiers--fresh troops with clean uniforms, unshaven men whose
clothes were brownish with the mud of the trenches. By that time I had
become used to being saluted, and to enjoy the click of a sentry's
heels. While Ober-Lieutenant Herrmann was telephoning for a military
automobile I noticed one of the _Landwehr_ guards begin to eye
suspiciously the photographers and their formidable luggage. I saw him
call another of the dark-coated _Landwehr_, and they were obviously on
the point of making a possible arrest when the Ober-Lieutenant returned,
averting the situation.
We were, the Ober-Lieutenant informed us, to wait in the Café de
Paris,--which was just across the square from the station,--until he
returned.
"The telephones have all been cut," he explained with a smile. "I shall
have to walk to Headquarters and bring back a motor for us. I may be
gone half an hour, or an hour, but please remain in the café. Remember
Lille is a captured city."
So we crossed the square, Dawson, Theyer and I, while the wind brought
us the grumbling of heavy cannon from the West where, not fifteen miles
away, the Germans were making their terrific drive on that segment of
the Allies' line, extending out from the Channel shore. Boo-omm,
Boo-omm, Boo-omm, with the last syllable prolonged like a low note on
the piano. Army transports rattled over the cobbled square; one of the
gray motors with its muffler cut out, snorted past; and then the eye
began to take in its surroundings.
There on my left, as I went away from the station, I saw a place of
destruction, an entire block of ruined buildings, their shattered sides
rearing with hideous ugliness against the perspective of untouched
houses beyond. Blackened walls, gaping holes, roofless skeletons of
houses; and within, a chaos of plaster and falling floors, one house
after another, some almost razed to the ground, others with only their
tops shot off, but all desolation and ruin. It was not the destruction
that made me stop in the square and stare about me, for I had become
sated with shelled houses, all the way from Charleville to Lille; it was
amazement at the artillery fire that could lay low an entire block and
not even drop a shell. The undisturbed cobbles in the square confirmed
this conclusion. What deadly accuracy! How, if something be marked for
destruction in this war, can it escape? I stood in the square for
several minutes and counted thirty-eight soldiers and sixty civilians
walk past the ruins and no one so much as turned his head to glance even
indifferently upon them.
"How long," I asked the fatherly, white-haired Frenchman who brought us
our coffee in the Café de Paris, "is it, since those buildings over
there were destroyed?"
"A month, sir," he said, and in a moment he added wearily, "Our city has
been captured and recaptured three times."
Public-domain text, read in full here on John Shaqi.
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