The lower chamber was, till lately, decorated with two paintings of
the battles of Nieuport and Waterloo. In the latter, the principal
figure was that of the Prince of Orange, at the moment of his receiving
his wound in the action. This unhappy painting seems to have been a
source of some embarrassment--to keep such a conspicuous memento of the
expelled dynasty, and that, too, recording its strongest claim upon
the gratitude of the nation; and, above all, to leave it suspended in
the very midst of the revolutionary leaders, must have been peculiarly
awkward. But then, this objection did not extend to the battle of
Nieuport--one of the most decisive victories of the patriots over the
Spaniards in the war of liberation, and to take down the one without
the other would have looked peevish. The difficulty seems, however,
to have been surmounted, for we found them both gone; and that of
Waterloo, we saw in a back apartment, awaiting, perhaps, its removal
to some still more secluded depository.
The Park, which forms the centre of the square, which is flanked
by these public buildings, is the favourite promenade of the
Bruxellois--the Tuilleries’ garden of their little Paris, and, in fact,
it is _a garden_, its dimensions being too small to merit its more
dignified title. Without being either Dutch or cockney, it contains
as many varieties of ornament as could well be disposed of in so
small a space--broad green slopes, tall trees and shaded walks, with
fountains, busts and statues in abundance. Within the gardens, there
is a miniature theatre and a café, and a ball-room, called La Salle
du Wauxhall, and in summer, a military band plays during the evening
promenade. This little “pleasance” was, in 1830, the focus of the
revolutionary riot, where the Dutch troops, under the command of Prince
Frederick, made their unfortunate entry into the city, and after an
interval of carnage and incendiarism, retired, without a demonstration
of their strength, or a vigorous effort to crush the revolt. The
houses and trees still bear traces of these sanguinary “three days,”
the latter having their wounds still bound up with plates of lead and
iron nailed over the spots which were torn by the balls.
Public-domain text, read in full here on John Shaqi.
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