Belinda: An April Folly in Three Acts — John Shaqi
Belinda: An April Folly in Three ActsMilne, A. A. (Alan Alexander)
General
Belinda: An April Folly in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
BELINDA (_moving below and to_ R. _of_ C. _table_). My
dear Mr. Baxter, my whole library is at your disposal. (_She turns
to_ DEVENISH, _who is on her_ L., _and at the back of the table.
She speaks in a confidential whisper_.) I'm just going to show him
the Encyclopedia Britannica. (_She moves below the settee to the door_
R.) You won't mind waiting--Delia will be in directly.
(BAXTER, _still muttering "Library," crosses to the door and opens it
for her. She goes out and he follows her_. DEVENISH _moves to the
R. of the swing doors and welcomes_ DELIA _and_ TREMAYNE. TREMAYNE
_enters from the portico and holds open the swing doors for_ DELIA.)
DELIA (_speaking from the portico_). Hullo, we're just coming in.
(_They enter and_ DELIA _moves down_ R. _of the
table_.)
TREMAYNE. Where's Mrs. Tremayne?
DEVENISH (_moving to down_ R.). She's gone to the library with
Baxter.
TREMAYNE (_coming down on_ DELIA'S R. _side--carelessly_). Oh,
the library. Where's that?
DEVENISH (_promptly going towards the door, opening it and standing
above it_). The end door on the right.
(DELIA _sits on the_ R. _end of the table facing_ R.)
Right at the end. You can't mistake it. On the right.
TREMAYNE. Ah, yes. (_He looks round at_ DELIA, _who points
significantly at the door twice_.) Yes. (_He looks at_ DEVENISH.)
Yes. (_He goes out_.)
(DEVENISH _hastily shuts the door and comes back to_ DELIA.)
DEVENISH. I say, your mother is a ripper.
DELIA (_enthusiastically_). Isn't she! (_Remembering_.) At
least, you mean my aunt?
DEVENISH (_smiling at her_). No, I mean your mother. To think that
I once had the cheek to propose to her.
DELIA. Oh! Is it cheek to propose to people!
DEVENISH. To _her_.
DELIA. But not to me?
DEVENISH. Oh I say, Delia!
DELIA (_with great dignity_). Thank you, my name is Miss Robinson--
I mean, Tremayne.
DEVENISH. Well, if you're not quite sure which it is, it's much safer to
call you Delia.
DELIA (_smiling_). Well, perhaps it is.
DEVENISH. And if I did propose to you, you haven't answered
DELIA (_sitting in the chair_ R. _of the table_). If you want
an answer now, it's no; but if you like to wait till next April-----
DEVENISH (_moving up to behind table--reproachfully_). Oh, I say,
and I cut my hair for you the same afternoon. (_Turning quickly_.)
You haven't really told me how you like it yet.
DELIA. Oh, how bad of me! You look lovely.
DEVENISH (_sitting at back of the table_). And I promised to give
up poetry for your sake.
DELIA. Perhaps I oughtn't to have asked you that.
DEVENISH. As far as I'm concerned, Delia, I'll do it gladly, but, of
course, one has to think about posterity.
DELIA. But you needn't be a poet. You could give posterity plenty to
think about if you were a statesman.
DEVENISH. I don't quite see your objection to poetry.
DELIA. You would be about the house so much. I want you to go away every
day and do great things, and then come home in the evening and tell me
all about it.
Public-domain text, read in full here on John Shaqi.
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