Belinda: An April Folly in Three ActsMilne, A. A. (Alan Alexander)
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Belinda: An April Folly in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
DEVENISH. Then you _are_ thinking of marrying me!
DELIA. Well, I was just thinking in case I had to.
DEVENISH (_he rises and taking her hands, raises her from the chair.
She backs a step to_ R.). Do. It would be rather fun if you did. And
look here--(_he pulls her gently back. They both sit on the table. He
places his arm round her waist_)--I _will_ be a statesman, if
you like, and go up to Downing Street every day, and come back in the
evening and tell you all about it.
DELIA. How nice of you!
DEVENISH (_magnificently, holding up his_ L. _hand to
Heaven_). Farewell, Parnassus!
DELIA (_pulling down his hand_). What does that mean?
DEVENISH. Well, it means that I've chucked poetry. A statesman's life
is the life for me; behold Mr. Devenish, the new M.P.--(_she holds up
her_ L. _hand admonishingly and he laughs apologetically _)--no,
look here, that was quite accidental.
DELIA (_smiling at him_). I believe I shall really like you when I
get to know you.
DEVENISH. I don't know if it's you, or Devonshire, or the fact that I've
had my hair cut, but I feel quite a different being from what I was
three days ago.
DELIA. You _are_ different. (_They both rise from the table. She
pulls him to_ R. _one step_.) Perhaps it's your sense of humour
coming back.
DEVENISH. Perhaps that's it. It's a curious feeling.
DELIA (_pulling him towards the swing doors_). Let's go outside;
there's a heavenly moon.
DEVENISH. Moon? Moon? Now where have I heard that word before?
DELIA. What _do_ you mean?
DEVENISH. I was trying not to be a poet.
(DELIA _opens the doors_.)
Well, I'll come with you, but I shall refuse to look at it. (_Putting
his_ L. _hand behind his back, he walks slowly out with her, saying
to himself_) The Prime Minister then left the House.
(_They cross the windows at the back and go off_ L.)
(BELINDA _and_ TREMAYNE _come from the library, the latter
holding the door for her to pass_.)
BELINDA (_moving below the settee across the room_). Thank you. I
don't think it's unkind to leave him, do you? He seemed quite happy.
TREMAYNE (_following her_). I shouldn't have been happy if we'd
stayed.
BELINDA (_reaching the Chesterfield she puts her feet up. Her head it
towards_ L.). Yes, but I was really thinking of Mr. Baxter.
TREMAYNE (_above table_ C.). Not of me?
BELINDA. Well, I thought it was Mr. Baxter's turn. Poor man, he's had a
disappointment lately.
TREMAYNE (_coming to B. of the Chesterfield--eagerly_). A
disappointment?
BELINDA. Yes, he thought I was--younger than I was.
TREMAYNE (_smiling to himself_). How old are you, Belinda?
BELINDA (_dropping her eyes_). Twenty-two. (_After a pause_.)
He thought I was eighteen. Such a disappointment!
TREMAYNE (_smiling openly at her_). Belinda, how old are you?
BELINDA. Just about the right age, Mr. Robinson.
TREMAYNE. The right age for what?
BELINDA. For this sort of conversation.
TREMAYNE. Shall I tell you how old you are?
BELINDA. Do you mean in figures or--poetically?
Public-domain text, read in full here on John Shaqi.
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