Belinda: An April Folly in Three ActsMilne, A. A. (Alan Alexander)
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Belinda: An April Folly in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
BELINDA (_enjoying herself_). You'd like to be called by a
different name, wouldn't you? There's something so thrilling about
taking a false name. Such a lot of adventures begin like that. How would
you like to be Miss Robinson, darling? It's a nice easy one to remember.
(_Persuasively_.) And you shall put your hair up so as to feel more
disguised. What fun we're going to have!
DELIA. You baby! All right, then, I'm Miss Robinson, your favourite
niece. (_She takes her jacket from the hammock and moves towards the
house_.)
BELINDA. How sweet of you! No, no, not that way--you'll meet them.
(_Following quickly up between tree and table to_ DELIA, _who has
now reached the house_.) Oh, I'm coming with you to do your hair.
(_Moving up_ C., _arm in arm with_ DELIA.) You don't think you're
going to be allowed to do it yourself, when so much depends on it, and
husbands leave you because of it, and----
(BELINDA, _seeing_ BETTY _entering from house, hurries_ DELIA
_up_ R., _and they bob down behind the yew hedge_ R. BETTY _comes
from the house into the garden, crossing to centre and up stage
looking for_ BELINDA, _followed by_ MR. BAXTER _and_ MR. DEVENISH.
BAXTER _gives an angry look round at_ DEVENISH _as he enters._ MR.
BAXTER _is forty-five, prim and erect, with close-trimmed moustache and
side-whiskers. His clothes are dark and he wears a bowler-hat_. MR.
DEVENISH _is a long-haired, good-looking boy in a négligé costume;
perhaps twenty-two years old, and very scornful of the world._ BAXTER
_crosses to_ L. _below_ BETTY, _and turns to her with a sharp inquiring
glance_. DEVENISH _moves down_ R., _languidly admiring the garden_.)
BETTY (_looking about her surprised_). The mistress was here a
moment ago. (_The two heads pop up from behind the hedge and then down
again immediately_. BELINDA _and_ DELIA _exeunt_ R.). I expect she'll
be back directly, if you'll just wait.
(_She goes back into the house_.)
(BAXTER, _crossing to_ R., _meets_ DEVENISH _who has moved
up_ R. BAXTER _is annoyed and with an impatient gesture comes down
between the tree and the table to chair_ L. _and sits_. DEVENISH
_throws his felt hat on to the table and walks to the back of the
hammock. He sees the review in the hammock and picks it up_.)
DEVENISH. Good heavens, Baxter, she's been reading your article!
BAXTER. I dare say she's not the only one.
DEVENISH. That's only guesswork (_going to back of table_); you
don't know of anyone else.
BAXTER (_with contempt_). How many people, may I ask, have bought
your poems?
DEVENISH (_loftily_). I don't write for the mob.
BAXTER. I think I may say that of my own work.
DEVENISH. Baxter, I don't want to disappoint you, but I have reluctantly
come to the conclusion that you are one of the mob. (_Throws magazine
down on table, annoyed_.) Dash it! what are you doing in the country
at all in a bowler-hat?
Public-domain text, read in full here on John Shaqi.
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