Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal SeePalmer, G. H. (George Henry)
History
Bell's Cathedrals: The Cathedral Church of Rochester: A Description of its Fabric and a Brief History of the Episcopal See
Palmer, G. H. (George Henry)
Rochester Cathedral (Rochester, Kent, England)
The development, by means of great additions and alterations, of the
present eastern arm and its magnificent crypt from the earlier and
smaller Norman structures was probably taken in hand about 1190. The new
work seems to have been begun from the east and continued westwards. It
was at first perhaps roofed temporarily with wood, and only vaulted
later. It may have been far enough advanced to allow of William of
Perth's burial, directly after his death in 1201, in the north choir
transept (still called by his name), where his tomb and shrine were
afterwards so much resorted to. On the other hand, his body may have
been laid in the north choir aisle until the new transept was ready to
receive it. This was probably not the case however; it certainly was
not, if the conjecture be correct, that 1195 is the approximate date of
the removal of the eastern half of the Norman undercroft and of the
portion of the presbytery above it, and that a little work in the choir
aisles had been done even earlier. Other authorities, though, incline to
the opinion that the part of the Norman presbytery which projected into
the new work was not removed before it was almost completely inclosed.
This would put off its demolition till later.
The "whole choir" was, we read, rebuilt by William de Hoo, the sacrist,
with the offerings at St. William's tomb. The word "choir" must here, of
course, be used in its more restricted sense, meaning the choir proper,
as distinct from its transept and the presbytery. Even then to say
absolutely that he rebuilt it is to go too far, for the walls dividing
it from its aisles are still in the main of Norman construction, though
they have Early English facings and decorations, and additions of this
later period to their upper parts. The original intention of the
architect had apparently been to change into arcades these solid walls,
but, if so, he abandoned it. When the work on the choir walls was
finished, some re-modelling of its aisles was soon carried out,
buttresses being built within them to withstand the thrust of the new
vaulting of the central part. In William de Hoo's work at this time we
must include the arches across the western ends of the choir aisles,
with the one bay of the transept clerestory over the northern of them,
and possibly also the choir arch, with the piers that carry it. It
seems, however, that these piers were only finally freed from the Norman
nave arcade, and completed, as we now have them, to be the eastern pair
of supports to the central tower, by Richard de Eastgate about twenty
years later. It is recorded that the new work had been roofed and leaded
by the sacrist Radulfus de Ros and the prior Helias. The new choir was
first used in 1227, when the monks made their solemn entry into it, and
the works, that have been described above, must have been finished at
that date. Some fittings, probably originally inserted at this early
period, still remain, viz., the eastern side of the pulpitum and some
Public-domain text, read in full here on John Shaqi.
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