His first decidedly successful drama was "Inkle and Yarico:" this at
once established his character as an author. "Ways and Means," "The
Mountaineers," and "The Iron Chest" followed; and in 1798 he published
those admirable poems known as "My Night-gown and Slippers." His
greatest literary triumphs were, however, yet to come. "The Heir at Law"
was his first regular comedy; and we doubt very much whether he ever
excelled it, or, indeed, if it has been excelled by more than a very few
plays in the English language. We know that the theatrical world, and
we believe the author himself, gave a decided preference to "John Bull;"
but we admit that as we are unfashionable enough to prefer Sheridan's
"Rivals" to his "School for Scandal," so are we prepared unhesitatingly
to declare our opinion that "The Heir at Law" is Colman's
_chef d'oeuvre_.
"The Poor Gentleman" is an excellent play; and "Who wants a Guinea?"
although not so decidedly successful as its predecessors, teems
with that rich humour and quaintness of thought which so strongly
characterise the writing of its author. His farces of "The Review,"
"Love laughs at Locksmiths," "We fly by Night," and several others,
are all admirable in their way. These were given to the town as the
reductions of Arthur Griffinhoofe, a _nom de guerre_, however, which
proved quite inefficient in making the public mistake the source whence
their amusement was derived.
In 1819, Mr. Colman finally retired from the proprietorship and
management of the Haymarket Theatre. Upon the escape and flight from
England of Captain Davis, the lieutenant of the Yeoman Guard, his
Majesty George the Fourth appointed Mr. Colman to succeed him; and on
the death of Mr. Larpent he also received the appointment of Examiner
of Plays. The former office he relinquished in favour of Sir John Gete,
some three or four years since; and in the latter he has, as our readers
know, been succeeded by Mr. Charles Kemble.
It would be unjust and unfair to the memory of Mr. Colman were we to
let slip this opportunity of saying a few words upon the subject of his
conduct in the execution of the duties of this situation; because it
has been made the object of attack even by men of the highest talent
and reputation, as well as the low ribald abuse of their literary
inferiors,--which, however, considering the source whence it came, is
not worth noticing.
Public-domain text, read in full here on John Shaqi.
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