PUBLIC LIFE OF MR. TULRUMBLE, ONCE MAYOR OF MUDFOG. Mudfog is a pleasant town--a remarkably pleasant town--situated in a charming hollow by the side of a river, from which river, Mudfog derives an agreeable scent of pitch, tar, coals, and rope-yarn, a roving population in oil-skin hats, a pretty steady influx of drunken bargemen, and a great many other maritime advantages. There is a good deal of water about Mudfog, and yet it is not exactly the sort of town for a watering-place, either. Water is a perverse sort of element at the best of times, and in Mudfog it is particularly so. In winter, it comes oozing down the streets and tumbling over the fields,--nay, rushes into the very cellars and kitchens of the houses, with a lavish prodigality that might well be dispensed with; but in the hot summer weather it _will_ dry up, and turn green: and, although green is a very good colour in its way, especially in grass, still it certainly is not becoming to water; and it cannot be denied that the beauty of Mudfog is rather impaired, even by this trifling circumstance. Mudfog is a healthy place--very healthy;--damp, perhaps, but none the worse for that. It's quite a mistake to suppose that damp is unwholesome: plants thrive best in damp situations, and why shouldn't men? The inhabitants of Mudfog are unanimous in asserting that there exists not a finer race of people on the face of the earth; here we have an indisputable and veracious contradiction of the vulgar error at once. So, admitting Mudfog to be damp, we distinctly state that it is salubrious. The town of Mudfog is extremely picturesque. Limehouse and Ratcliffe Highway are both something like it, but they give you a very faint idea of Mudfog. There are a great many more public-houses in Mudfog,--more than in Ratcliffe Highway and Limehouse put together. The public buildings, too, are very imposing. We consider the Town-hall one of the finest specimens of shed architecture, extant: it is a combination of the pig-sty and tea-garden-box, orders; and the simplicity of its design is of surpassing beauty. The idea of placing a large window on one side of the door, and a small one on the other, is particularly happy. There is a fine bold Doric beauty, too, about the padlock and scraper, which is strictly in keeping with the general effect.