"Why not, indeed? They collected in a silent little group behind my
sofa...."
"Puzzled? Awed?"
"Fudge! Well, save Thursday."
"Is he coming?"
"I trust so."
"Then they do need a constabulary to keep them quiet?"
"Oh, hush!"
"How many are you expecting to have? You know I don't enjoy large
parties."
"Could you stand ten?"
"I think so."
"Thursday, then," she said, with a definitive hand on the knob of the
door.
Randolph went down the front walk with a slight stir of elation--a
feeling that had come to be an infrequent visitor enough. He hoped that
the company would be not only predominantly youthful, but exclusively
so--aside from the hostess and himself. And even she often had her
young days and her young spots. It would doubtless be clamorous; yet
clamor, understood and prepared for, might be met with composure.
6
_COPE DINES--AND TELLS ABOUT IT_
Cope pushed away the last of the themes and put the cork back in the
red-ink bottle. Here was a witless girl who seemed to think that
Herrick and Cowper were contemporaries. The last sense to develop in
the Western void was apparently the sense of chronology--unless,
indeed, it were a sense for the shades of difference which served to
distinguish between one age and another and provided the raw material
that made chronology a matter of consequence at all.
"If there were only one more," muttered Cope, looking at the pile of
sheets under the gas-globe, "I should probably learn that Chaucer
derived from Beaumont and Fletcher."
He reached up and jerked the gas-jet to a different angle. The flame
lit, through its nicked, pale-pink globe, a bedroom cramped in size and
meagre in furnishings: a narrow bed, dressed to look like a lounge; two
stiff-backed oak chairs, not lately varnished; a bookshelf overhead,
with some dozen of the more indispensable aids to our tongue's
literature. The table at which he sat was one of plain deal, covered
with some Oriental-seeming fabric which showed here and there inkspots
that antedated his own pen. He threw up this covering as it fell over
the front edge of the table, pulled out a drawer, laid a sheet of paper
in the bettered light, and uncorked a black-ink bottle.
"Dear Arthur," he began.
He looked across to the other chair, with its broken spindles and
obfuscated varnish. With things as he wanted them, his correspondent
would be sitting there and letter-writing would be unnecessary.
"Dear Arthur," he repeated aloud, and set himself to a general sketch
of the new land and the "lay" of it.
Public-domain text, read in full here on John Shaqi.
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