These qualities are exemplified at their best by Turgenev and Tolstoy. They both had a strong social consciousness; they both grappled with the problems of human welfare; they were both artists in the larger sense, that is, in their truthful representation of life. Turgenev was an artist also in the narrower sense--in a keen appreciation Of form. Thoroughly Occidental in his tastes, he sought the regeneration of Russia in radical progress along the lines of European democracy. Tolstoy, on the other hand, sought the salvation of mankind in a return to the primitive life and primitive Christian religion. The very first work of importance by Turgenev, _A Sportsman's Sketches_, dealt with the question of serfdom, and it wielded tremendous influence in bringing about its abolition. Almost every succeeding book of his, from _Rudin_ through _Fathers and Sons_ to _Virgin Soil_, presented vivid pictures of contemporary Russian society, with its problems, the clash of ideas between the old and the new generations, and the struggles, the aspirations and the thoughts that engrossed the advanced youth of Russia; so that his collected works form a remarkable literary record of the successive movements of Russian society in a period of preparation, fraught with epochal significance, which culminated in the overthrow of Czarism and the inauguration of a new and true democracy, marking the beginning, perhaps, of a radical transformation the world over. "The greatest writer of Russia." That is Turgenev's estimate of Tolstoy. "A second Shakespeare!" was Flaubert's enthusiastic outburst. The Frenchman's comparison is not wholly illuminating. The one point of resemblance between the two authors is simply in the tremendous magnitude of their genius. Each is a Colossus. Each creates a whole world of characters, from kings and princes and ladies to servants and maids and peasants. But how vastly divergent the angle of approach! Anna Karenina may have all the subtle womanly charm of an Olivia or a Portia, but how different her trials. Shakespeare could not have treated Anna's problems at all. Anna could not have appeared in his pages except as a sinning Gertrude, the mother of Hamlet. Shakespeare had all the prejudices of his age. He accepted the world as it is with its absurd moralities, its conventions and institutions and social classes. A gravedigger is naturally inferior to a lord, and if he is to be presented at all, he must come on as a clown. The people are always a mob, the rabble. Tolstoy, is the revolutionist, the iconoclast. He has the completest independence of mind. He utterly refuses to accept established opinions just because they are established. He probes into the right and wrong of things. His is a broad, generous universal democracy, his is a comprehensive sympathy, his an absolute incapacity to evaluate human beings according to station, rank or profession, or any standard but that of spiritual worth.