In all this he was a complete contrast to Shakespeare. Each of the two men was like a creature of a higher world, possessed of supernatural endowments. Their omniscience of all things human, their insight into the hiddenmost springs of men's actions appear miraculous. But Shakespeare makes the impression of detachment from his works. The works do not reveal the man; while in Tolstoy the greatness of the man blends with the greatness of the genius. Tolstoy was no mere oracle uttering profundities he wot not of. As the social, religious and moral tracts that he wrote in the latter period of his life are instinct with a literary beauty of which he never could divest himself, and which gave an artistic value even to his sermons, so his earlier novels show a profound concern for the welfare of society, a broad, humanitarian spirit, a bigness of soul that included prince and pauper alike. Is this extravagant praise? Then let me echo William Dean Howells: "I know very well that I do not speak of Tolstoy's books in measured terms; I cannot." The Russian writers so far considered have made valuable contributions to the short story; but, with the exception of Pushkin, whose reputation rests chiefly upon his poetry, their best work, generally, was in the field of the long novel. It was the novel that gave Russian literature its pre-eminence. It could not have been otherwise, since Russia is young as a literary nation, and did not come of age until the period at which the novel was almost the only form of literature that counted. If, therefore, Russia was to gain distinction in the world of letters, it could be only through the novel. Of the measure of her success there is perhaps no better testimony than the words of Matthew Arnold, a critic certainly not given to overstatement. "The Russian novel," he wrote in 1887, "has now the vogue, and deserves to have it... The Russian novelist is master of a spell to which the secret of human nature--both what is external and internal, gesture and manner no less than thought and feeling--willingly make themselves known... In that form of imaginative literature, which in our day is the most popular and the most possible, the Russians at the present moment seem to me to hold the field." With the strict censorship imposed on Russian writers, many of them who might perhaps have contented themselves with expressing their opinions in essays, were driven to conceal their meaning under the guise of satire or allegory; which gave rise to a peculiar genre of literature, a sort of editorial or essay done into fiction, in which the satirist Saltykov, a contemporary of Turgenev and Dostoyevsky, who wrote under the pseudonym of Shchedrin, achieved the greatest success and popularity.