"True, yet I strenuously deny that it was my fault. In fact, I had firmly determined that we should, and, having been a spoiled child, I am accustomed to having my own way. This, perhaps, will partially account for my persistency and for my still being with 'The Heart of the World.' But all else aside, I early became intensely interested in your work, Miss Norvell, instantly recognizing that it required no common degree of ability to yield dignity to so poor a thing as the play in which you appear. I began to study you and your interpretation; I never tired of noting those little fresh touches with which you constantly succeeded in embellishing your lines and your 'business,' and how clearly your conception of character stood forth against the crude background of those mummers surrounding you. It was a lesson in interpretative art to me, and one I never wearied of. Then, I must likewise confess, something else occurred." He paused, looking aside at her, and, as though she felt the spell of that glance, she turned her own face, brightened by such earnest words of praise, their eyes meeting frankly. "What?" "The most natural thing in the world--my admiration for the art only served to increase my early interest in the artist. I began to feel drawn not only to the actress but to the woman," he said gravely. Her eyes never faltered, but faced him bravely, although her cheeks were like poppies, and her lips faltered in their first bold effort at swift reply. "I am so glad you honestly think that about my work; so glad you told me. It is a wonderful encouragement, for I know now that you speak as a man of education, of cultivation. You must have seen the highest class of stage interpretation, and, I am sure, have no desire merely to flatter me. You do not speak as if you meant an idle compliment. Oh, you can scarcely conceive how much success will spell to me, Mr. Winston," her voice growing deeper from increasing earnestness, her eyes more thoughtful, "but I am going to tell you a portion of my life-story in order that you may partially comprehend. This is my first professional engagement; but I was no stage-struck girl when I first applied for the position. Rather, the thought was most repugnant to me. My earlier life had been passed under conditions which held me quite aloof from anything of the kind. While I always enjoyed interpreting character as a relaxation, and even achieved, while at school in the East, a rather enviable reputation as an amateur, I nevertheless had a distinct prejudice against the professional stage, even while intensely admiring its higher exponents. My turning to it for a livelihood was a grim necessity, my first week on the road a continual horror. I abhorred the play, the making of a nightly spectacle of myself, the rudeness and freedom of the audiences, the coarse, common-place people with whom I was constantly compelled to consort. You know them, and can therefore realize to some extent what