Between the twilights : $b Being studies of Indian women by one of themselves — John Shaqi
Between the twilights : $b Being studies of Indian women by one of themselvesSorabji, Cornelia
General
Between the twilights : $b Being studies of Indian women by one of themselves
Sorabji, Cornelia
India -- Social conditions; Women -- India
Another day, with laughter and shy importance, the youngest Bride
and Bridegroom were led to a place of prominence. It was their first
Springtime since the marriage ceremony, and they sat side by side,
bound together with silken cords; while the mother and grandmother
threw at them little soft cushions of red powder, the same that is
used in religious sacrifices for dusting the idol; with it is made
the mark on the head of the Bride: perhaps the colour is symbolical,
the women do not know, “it has always been so,” they tell you. And,
as to the games--why it is Springtime, children should be merry, and
the shy pelting with red pellets is Zenana merriment in italics. Next
year, maybe, the Bride will be a mother, and such boisterousness will
not become her. Let the children play while they may, and let the old
Grand-dame pillow-fight with red powder cushions. Is she not nearer
to the children in spirit than that grave-eyed Madan Mohun, of three
Springtides, for instance, who is having his baby feed, in greedy
solemnity. For is she not the wise woman of many years? and only the
years can bring true youth and wisdom. Ignorance dies after decades of
convention, of pain, of mistakes, and from the dead bulb springs this
wonderful flower of youth and wisdom. The ignorance, the pain, the
mistakes,--they had to be. Do they not make the fragrance of our Spring
plant? The pity is when the original shrub knows no decay, when in the
smug satiety of its ever-greenness it journeys to no winter, and finds
no aftermath of Spring.
On yet another day the youngest sister was chief lady. I found her
sitting before a brass tray of glass bangles and silver ornaments.
It was a first visit to her childhood’s home since marriage, and her
husband would break her old bangles and refit her. The Wise Woman
says it is symbolical of the fact that even in her Parents’ house
she remains the possession of her husband. So he is admitted to the
parental “Inside,” and the women other than his wife, peep at the
bangle-play from behind doors and curtains.
Public-domain text, read in full here on John Shaqi.
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