Bib-li-op-e-gis-tic (Pertaining to the art of binding books.—Dibdin): to which is appended a glossary of some terms used in the craft — John Shaqi
Bib-li-op-e-gis-tic (Pertaining to the art of binding books.—Dibdin): to which is appended a glossary of some terms used in the craftTrow's Printing and Bookbinding Company
History
Bib-li-op-e-gis-tic (Pertaining to the art of binding books.—Dibdin): to which is appended a glossary of some terms used in the craft
Trow's Printing and Bookbinding Company
Bookbinding
* * * * *
As a new departure we are showing the use of specially designed cloths
for sides and linings, in place of the German marbled papers and French
"combs," the most of which as Miss Prideaux says "produce the effect of
violent color thrown on wet blotting paper."
Used as sides on half or three-quarter leather styles, the cloth gives
greater durability, as the surface does not rub, nor will the edges wear
off where turned over, as happens with the use of marbled papers.
As linings they obviate the use of the extra cloth joint, which is
unsightly, but necessary for strength with the use of marbled paper;
with their use the folded edge is pasted in the joint, allowing the
cover to be lifted without drawing the end papers away from the book.
Good taste, and harmony of color are assured by their wide variety, and
in addition some new and novel effects may sometimes be secured.
[Illustration: The Historic Hudson--Double
Green Levant. Pictorial inlay and decoration tooled in gold.]
The Scope of our Work
We solicit the binding of a single volume, in any manner, whether it be
in half, three-quarter, or full leather, with simple or elaborate
treatment.
We will undertake the binding of a complete collection or library and
will submit quotations where desired, or proceed under an appropriation
by the customer.
We will carefully attend to special instructions for the extending,
interleaving or rebinding of extra illustrated work, presentation
copies, memorial editions, etc.
We also undertake the repairing of any bindings, carefully and
skillfully mending any torn leaves, and properly guarding any loose
sheets or inserts.
[Illustration: Memorial Volume--Double
Royal Purple Levant. Floral design inlaid and hand colored.]
Glossary of Terms
_Azured._ Ornamentation outlined in gold and crossed with horizontal
lines.
_Bands._ (1) The cord whereon the sheets of a volume are sewn. (2) The
ridges on the back caused by the bands raising the leather. _Head Band._
A knitting of silk or thread worked in at the head and foot of the shelf
back of the book.
_Boards._ A temporary binding with a cover made of boards and paper.
_Mill Boards._ The boards that are attached to the book, giving
stiffening to the cover.
_Bosses._ Brass or other metal pieces attached to the covers of a book,
for ornamentation or protection.
_Burnish._ The gloss produced by the application of the burnisher to the
edges after coloring, marbling or gilding.
_Collating._ Examining the signatures, after a volume has been folded
and gathered, to ascertain if they be in correct sequence.
_Dentelle._ A style resembling lace work, finished with very finely cut
tools.
_Double._ When the inside of the cover is lined with leather, it is
termed a double.
_End Papers or Lining Papers._ The papers, plain or fancy, placed at
each end of the volume and pasted down upon the boards.
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