Biographical Notes on the Pseudonymous BellsBrontë, Charlotte
General
Biographical Notes on the Pseudonymous Bells
Brontë, Charlotte
Authors, English -- 19th century -- Biography; Brontë family; Brontë, Anne, 1820-1849; Brontë, Emily, 1818-1848
At last ‘Wuthering Heights’ and ‘Agnes Grey’ were accepted on terms
somewhat impoverishing to the two authors; Currer Bell’s book found
acceptance nowhere, nor any acknowledgment of merit, so that something
like the chill of despair began to invade her heart. As a forlorn hope,
she tried one publishing house more—Messrs. Smith, Elder and Co. Ere
long, in a much shorter space than that on which experience had taught
her to calculate—there came a letter, which she opened in the dreary
expectation of finding two hard, hopeless lines, intimating that Messrs.
Smith, Elder and Co. ‘were not disposed to publish the MS.,’ and,
instead, she took out of the envelope a letter of two pages. She read it
trembling. It declined, indeed, to publish that tale, for business
reasons, but it discussed its merits and demerits so courteously, so
considerately, in a spirit so rational, with a discrimination so
enlightened, that this very refusal cheered the author better than a
vulgarly expressed acceptance would have done. It was added, that a work
in three volumes would meet with careful attention.
I was then just completing ‘Jane Eyre,’ at which I had been working while
the one-volume tale was plodding its weary round in London: in three
weeks I sent it off; friendly and skilful hands took it in. This was in
the commencement of September, 1847; it came out before the close of
October following, while ‘Wuthering Heights’ and ‘Agnes Grey,’ my
sisters’ works, which had already been in the press for months, still
lingered under a different management.
They appeared at last. Critics failed to do them justice. The immature
but very real powers revealed in ‘Wuthering Heights’ were scarcely
recognised; its import and nature were misunderstood; the identity of its
author was misrepresented; it was said that this was an earlier and ruder
attempt of the same pen which had produced ‘Jane Eyre.’ Unjust and
grievous error! We laughed at it at first, but I deeply lament it now.
Hence, I fear, arose a prejudice against the book. That writer who could
attempt to palm off an inferior and immature production under cover of
one successful effort, must indeed be unduly eager after the secondary
and sordid result of authorship, and pitiably indifferent to its true and
honourable meed. If reviewers and the public truly believed this, no
wonder that they looked darkly on the cheat.
Yet I must not be understood to make these things subject for reproach or
complaint; I dare not do so; respect for my sister’s memory forbids me.
By her any such querulous manifestation would have been regarded as an
unworthy and offensive weakness.
Public-domain text, read in full here on John Shaqi.
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