Birds and Poets : with Other PapersBurroughs, John
History
Birds and Poets : with Other Papers
Burroughs, John
American essays -- 19th century; Birds; Natural history -- Outdoor books; Nature
"Glimmers gay the leafless thicket
Close beside my garden gate,
Where, so light, from post to wicket,
Hops the sparrow, blithe, sedate:
Who, with meekly folded wing,
Comes to sun himself and sing.
"It was there, perhaps, last year,
That his little house he built;
For he seems to perk and peer,
And to twitter, too, and tilt
The bare branches in between,
With a fond, familiar mien."
The bluebird has not been overlooked, and Halleek, Longfellow, and Mrs.
Sigourney have written poems upon him, but from none of them does there
fall that first note of his in early spring,--a note that may be called
the violet of sound, and as welcome to the ear, heard above the cold,
damp earth; as is its floral type to the eye a few weeks later Lowell's
two lines come nearer the mark:--
"The bluebird, shifting his light load of song
From post to post along the cheerless fence."
Or the first swallow that comes twittering up the southern valley,
laughing a gleeful, childish laugh, and awakening such memories in
the heart, who has put him in a poem? So the hummingbird, too, escapes
through the finest meshes of rhyme.
The most melodious of our songsters, the wood thrush and the hermit
thrush,--birds whose strains, more than any others, express harmony
and serenity,--have not yet, that I am aware, had reared to them their
merited poetic monument, unless, indeed, Whitman has done this service
for the hermit thrush in his "President Lincoln's Burial Hymn." Here
the threnody is blent of three chords, the blossoming lilac, the evening
star, and the hermit thrush, the latter playing the most prominent part
throughout the composition. It is the exalting and spiritual utterance
of the "solitary singer" that calms and consoles the poet when the
powerful shock of the President's assassination comes upon him, and he
flees from the stifling atmosphere and offensive lights and conversation
of the house,--
"Forth to hiding, receiving night that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars and ghostly pines so still."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account