Even they who must perforce dwell in crowded cities see daily the
miracle of flight performed. For even here sparrows and pigeons, at
least, are everywhere, and it is just because this is so, just because
they have become so "common-place," that their very presence escapes
notice. Yet the wonder of their movements in the air might become a
never-ending source of delight if only we went about our business with
open eyes and minds alert.
Watch the wary sparrow spring from the ground and dart across the road,
or up to the nearest house-top. How is it done with such incredible
speed and accuracy?
To understand even the broad principles of flight, it is necessary to
realize, at the very beginning, that the wing, in the case of the bird,
or the bat, is a specially modified fore-leg. So also is the human arm
and hand. But its transformation has not been so drastic as that of the
bird, or the bat. Wherein the hand has been, as it were, completely
re-modelled to fulfil the peculiar and complex functions demanded of
it.
How should one describe the wing of a bird, as one sees it in flight?
The Dictionary, obscure and inaccurate as Dictionaries usually are,
defines a wing as "the organ of a bird, or other animal, or insect,
by which it flies--any side-piece." Might not the impression one
gathers of a wing, during flight, be defined as of a lateral extension
of the body, presenting a relatively large surface, but having no
appreciable thickness? That surface, examined in a dead bird, is seen
to be formed, for the most part, of a series of parallel, tapering,
elastic rods, fringed with an innumerable series of smaller, similar,
but much shorter rods, closely packed, and linked together by some
invisible means to form an elastic web? These we call the "quill,"
or "flight-feathers." The rest of the wing, and the body itself, is
clothed with precisely similar structures, differing only in their
smaller size. We call them "feathers" commonly, without realizing that
they are the "Hall-mark" of the bird, for no other creature has ever
been similarly clothed.
These quill-feathers play such a tremendously important part in flight
that their arrangement, and relation to the underlying skeleton must
be carefully examined by all who would understand the flight of birds.
To begin with, then, note that they are so arranged as to overlap one
another, the free edges of the quills facing the outer edge of the
wing. Only by this arrangement would flight be possible, for on the
upstroke of the wing through the air the quills act like the shutters
of the sails of a windmill, allowing the wind to pass between them and
so relieving pressure on the uplifting wing-stroke. On the down-stroke,
the opposite effect is produced. The full force of the stroke is
conserved, because, owing to the overlap, the several feathers are now
pressed closely together to form an impervious sheet.
Public-domain text, read in full here on John Shaqi.
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