It is well-nigh impossible to give the earliest date in which the
robin is mentioned as a "sacred bird." Certain it is that he ranks
with characters of "ye olden time," for myth and superstition
enshrined him. The literature of many tongues has preserved him.
Poetry and sculpture have embodied him and given him place among the
gods and winged beings that inhabit the "neighbor world." Did he not
scorch his original gray breast by taking his daily drop of water
to lost souls? Did he not stain it by pressing his faithful heart
against the crown of thorns? Or, did he not burn it in the Far North
when he fanned back into flame the dying embers which the polar bear
thought to have trampled out in his wrath that white men invaded
his shores? Was he not always the "pious bird?"--though it must be
confessed that his beak alone seemed to be possessed of religious
tendencies. Was he not the original church sexton who covered the
dead, with impartial beak, from eye of sun and man, piling high and
dry the woodland leaves about them? The wandering minstrel, the
orphan child, or the knight of kingly robe, each shared his sweet
charity.
[Illustration: ROBIN.]
The English ballad of the "Babes in the Wood" immortalized his memory
in poetical sentiment:
"Their little corpse the robin-redbreast found,
And strewed with pious bills the leaves around."
Earlier than the pathetic career of these Babes, homage was paid to
the robins,
"Who with leaves and flowers do cover
The friendless bodies of unburied men."
This superstition of the robin's art in caring for the dead runs
through many of the old poets, Drayton, Grahame, Hood, Herrick, and
others. Strict justice in the matter would have divided the praise of
him with the charitable night winds, for it was they more than he who
"covered friendless bodies." The sylvan shades of the Old World being
then more comprehensive than now, unburied men, from any cause, found
their last resting-place in the lap of the forest, sleeping wherever
they fell, since no laws of "decent burial" governed the wilds. The
night winds, true to their instincts then as now, swirled the fallen
leaves about any object in their way, in the fashion of a burial
shroud. As a matter of course, credit was given to the robin, whose
voracious appetite always led him to plunder litter of any sort in
search of food. Up bright and early, as is still his habit (since at
this hour he is able to waylay the belated night insect), the robin
was spied bestirring the forest leaves, and unbeknown to himself was
sainted for all time.
And his duties were not confined to those of sexton alone, for,
according to good witnesses, he became both sculptor and clergyman--
"For robin-redbreasts when I die
Make both my monument and elegy,"
--stripping, as they were supposed to do, the foliage from the trees
on which to write their elegies, and so leaving the uncovered trunks
as monumental shafts.
Public-domain text, read in full here on John Shaqi.
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