They parted at the door of Mr. Dinwiddie's rooms and Clavering walked slowly home in an extremely thoughtful mood. He felt an uneasy distrust of the Countess Josef Zattiany, and he was not even sure that he liked her. On the following Monday night, however, he was by no means averse from making a notable personal score. As Abbott, a dramatic critic, who happened to sit next to Madame Zattiany, made his usual hurried exit at the falling of the first curtain Clavering slipped into the vacant chair. She smiled a welcome, but it was impossible to talk in the noise. This was a great first-night. One of the leading actresses of America had returned in an excellent play, and her admirers, who appeared to be a unit, were clapping and stamping and shouting: handkerchiefs fluttered all over the house. When the curtain descended after the fifteenth recall and the lights went up and demonstration gave place to excited chatter, Madame Zattiany held out her hand toward Clavering. "See! I have split my glove. I caught the enthusiasm. How generous your people are! I never heard such whole-souled, such--ah--unself-conscious response." "Oh, we like to let go sometimes and the theatre is a safe place. One of the best things that can be said for New York, by the way, is its loyalty to two or three actresses no longer young. The whole country has gone crazy over youth. The most astonishingly bad books create a furore because from end to end they glorify post-war youth at its worst, and the stage is almost as bad. But New Yorkers are too old and wise in the theatre not to have a very deep appreciation of its art, and they will render tribute to old favorites as long as they produce good plays." "But that is very fine. . . . I go to the matinee a good deal and I am often very bored. And I have been reading your current novels with the desire to learn as well as to be amused. I wish so much to understand the country in which I was born. I have received much illumination! It is quite remarkable how well most of your authors write--but merely well, that is. So few have individuality of style. And even in the best authors I find nearly all of the heroines too young. I had read many American novels before the war--they came to us in Tauchnitz--and even then I found this quite remarkable preoccupation with youth." "Well--youth is a beautiful thing--is it not?" He smiled into her own beautiful face. "But, if you will notice, many of our novelists, capable of real psychology, carry their heroines over into their second youth, and you can almost hear their sigh of relief when they get them there." "Yes, but they are still behind the European novelists, who find women interesting at any age, and their intelligent readers agree with them. Young women have little psychology. They are too fluid."