He sighed and closed his eyes again. It was not unpleasant to feel
himself a slave, a slave who had forged his own gilded chains. But he
sighed again for his lost simplicities, for his day-dreams under the
magnolias when he had believed that if women of his class were not
obliged to do their own housework they would all be young and beautiful
and talk only of romance; when he had thought upon the intellectual
woman and the woman who "did things" as an anomaly and a horror. Well,
the reality was more companionable, he would say that for them. . . .
Then he grinned as he recalled the days of his passionate socialism,
when he had taken pains, like every socialist he had ever met, to let
it be understood that he had been born in the best society. Well, so
he had, and he was glad of it, even if the best society of his small
southern town had little to live on but its vanished past. He never
alluded to his distinguished ancestry now that he was eminent and
comfortable, and he looked back with uneasy scorn upon his former
breaches of taste, but he never quite forgot it. No Southerner ever
does.
The play droned on to the end of the interminable first act. Talk.
Talk. Talk. He'd go to sleep, but would be sure to get a crick in his
neck. Then he remembered a woman who had come down the aisle just as
the lights were lowering and passed his seat. He had not seen her
face, but her graceful figure had attracted his attention, and the
peculiar shade of her hair: the color of warm ashes. There was no
woman of his acquaintance with that rare shade of blonde hair.
Public-domain text, read in full here on John Shaqi.
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