American fiction -- 20th century; Bohemianism -- Fiction
Not a fraction of change had come to the cluttered dullness of
the room. He saw the same rickety table of round oak, where an
inferior circle was displaying with mild pride an embroidered square
of white linen; the modest and orderly showing of cut-glass and
silverware--tinsel of an old defeat--; the plaster-of-paris bust of
an Indian, violently colored and bearing an artificial scowl; the
mantlepiece that held a little squatting Chinaman made of colored
lead and the bric-a-brac effigy of a doll-like courtier in washed
out pinks and blues. On the wall opposite him a brass clock, moulded
into crude cherubs intertwined with stiff blossoms, busily spoke of
itself, forgetful of the time that it was supposed to measure, and
little prints of uncertain landscapes hung in golden frames upon
the wall-paper that was stamped with heavy purple grapes against a
tan background. Carl shuddered as though he were in the midst of a
weak and disorganized nightmare, in which reality was indulging in a
hackneyed burlesque at its own expense, and he crashed his fist upon
the oak table.
“Damn it, I’ll get out of this some day,” he shouted, craving the sharp
relief of sound, and then he grinned at the clumsy futility of his
explosion.
“If you ever do manage to escape from this conspiracy of barren peace
and flat lies it won’t be with angry noise,” he said to himself. “A
vicious calmness will help you more.”
He extracted a soiled roll of pencilled, smudged papers from an inside
pocket of his coat and stroked them as though they were a gathering
of living presences. The paper became smooth skin to him and he
questioned it with his fingers. This reaction was not a sensual one
but sprang from his longing for a reality that had so far eluded his
consciousness. His poems, peeping with eyes of fanciful promises above
the veils that redeemed their faces, were more concrete to him than
actual flesh and breath.
CHAPTER III.
He sat in the rocking-chair, tired and vaguely oppressed, clutching the
paper in the manner of one who clings to a tangible encouragement in
the midst of fantastic lies and fists. His parents came into the room
at last and turned on an electric light without at first noticing him
in the semi-gloom. Turning, his mother saw him in the chair. Her hands
flew to her breast, in two tight slants, as she impulsively pictured
the presence of a bearded burglar, and then she recognized him and
insulted her emotions with a cross between a gasp and a squawk.
“It’s Carl! Carl! For God’s sake, when did you come in?”
“About an hour ago, through the window that father always leaves open,”
said Carl, waiting with a poised and resigned smile for the inevitable
cannonade.
His father came in from the kitchen, where he had gone for a drink of
water. Seeing Carl, he slowly challenged him with sleepily prominent
eyes.
Public-domain text, read in full here on John Shaqi.
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