American fiction -- 20th century; Bohemianism -- Fiction
Abruptly, and in that conscious and secret plot which men insist
upon calling subconscious, he peered at the picture of a black man
and a white man throwing a wilted rose back and forth to each other
and catching it without a trace of emotion. The little, ridiculous
rose lost a petal after each catch, but in spite of its smallness
the number of petals seemed to be inexhaustible. At a distance the
black and white man exactly resembled each other, but on approaching
closer it could be seen that the black man held the face of an
incredibly stolid ruffian, while the white man’s face was engraved
with the patience of a cowed child. Not being acquainted with
psychoanalysis--that blind exaggeration of sexual routines--Carl did
not believe, after he returned to the touch of the park bench, that
this picture had slyly veiled the direction of his physical desires. He
knew that a fantastic whim had slipped from his mind and induced him to
probe his choice between two equally drab kinds of labor, striving to
make this choice endurable for a moment.
He selected three advertisements, all of them asking for manual
laborers, walked from the park, and boarded a street car. The first
place that he visited was a box factory--a slate-colored crate of a
building, bearing that flatly unexpectant tone that expresses the
year-long mating of smoke and dirt. As he ascended the gloomy stairway
an endless drone and clatter battled with his ears. It seemed a
senseless blasphemy directed at nothing in particular--the complaint
of a dull-witted, harnessed giant who was being driven on without
knowing why. Carl entered a huge room disheveled with sawdust and
shavings and cluttered with black belts and wheels. Men with swarthy,
motionless faces and feverish arms leaned over the wheels and saws.
As he stood near the doorway, feeling dwarfed and uncertain, a man
came toward him. Sturdy and short, the man looked like a magnified and
absent-minded gnome, too busy to realize that civilization had played
an obscene trick on him by stealing his fairy disguise and substituting
the colorless inanities of overalls and a black shirt. The large and
heavily twisted features on his face were partially hidden by a brown
stubble of beard, and like all men who work forever in factories, he
had an ageless air in which youth, middle age and old age were pounded
into one dull evasion.
“What d’ya want?” he asked, the words jumbled to a bark.
“I’m looking for work. Saw your ad in the paper.”
He examined the region between Carl’s toes and cap, measuring the
unimportance of flesh.
“We want good strong men to load boxes and carry lumber,” he said. “You
don’t look like a man for the job, bo. You’re dressed like a travelin’
salesman an’ we want men who ain’t afraid to get dirt on their clothes.
Get me?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account