American fiction -- 20th century; Bohemianism -- Fiction
The clerk tapped his forehead, with a scowl, and contemptuously tossed
over the envelope. Carl carelessly stuffed the sixteen dollars into a
pocket and walked out upon the crowded down-town streets. The streets
were touched with the middle of forenoon, that hour when the business
section of an American city is most leisurely and nondescript in its
make-up. The wagons and trucks were not yet bombarding time with
the full climax of their inane roar and the flatly hideous elevated
railroad trains were firing at longer intervals. Noise had not yet
become the confused and staggering slave of an ill-tempered avarice.
The nomads and idlers of the city’s populace were flitting in and out
among housewives on an early shopping-tour and those sleekly bloated
men who stroll belatedly to their offices. A sleepy young vaudeville
actress, painted and satiated, hurried to some booking-agency; a
middle-aged pickpocket emphasized his grey and white checked suit with
sturdy limbs and examined passersby, with the face of a shaved fox; an
undertaker, tall and old, paced along with that air of worried dignity
which his calling affects; a fairly young housewife pounded the sedate
roundness of her body over the pavement and held the hand of a small,
oppressed boy; a stock-raiser from the west slid his bulky ruddiness
along the street, while beneath his broad-brimmed hat his face held
an expression of awe-stricken delight; a college-girl, slender and
carefully hidden by silk, strove with every mincing twist of her body
to remind you that she was pretty; a youth, trimly effeminate and
attended by an inexpensive perfume, trotted along, eyeing the scene
with an affected air of disapproval.
The streets were cluttered with a ludicrous, artificial union of
people--people who were close together and yet essentially unaware
of each other’s presence, and the invisible, purposeless walls of
civilization crossed each other everywhere. If he swerved two inches
to the right the chained trance of this lonely farm-hand might strike
the shoulder of this dully wounded chambermaid from the Rialto Hotel,
and with this happening their lives might become an inch less burdened
and struggling. Their sidelong glances cross for a moment, like tensely
held spears, but they pass each other from cautious habit, striding
to more prearranged and empty contacts. Civilization has raised
wall-making to a fine art, striving to hide its dreamlessness beneath
an aspect of complex reticence, and keeping its human atoms feeble and
solitary, since pressed together they might break it into ruins. During
the rush-hours of a city you can see those streams of people who are
busily making and repairing the walls, but during the lulls in the
fever upon city streets you may observe the stragglers, wanderers, and
grown-up children who are not quite connected with this task and who
humbly or viciously hurdle the barriers that separate them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account