American fiction -- 20th century; Bohemianism -- Fiction
“Why, you stupid fool, this is the thanks I get for giving you a little
sensible advice!” he cried. “You think that you’re better than everyone
else with all the rot you write about roses and love, but let me tell
you something, a common bricklayer is more important than you are, any
day in the year! A man like that is helping the progress of the world
while you’re nothing but a puffed-up little idler! And even you have
got to do manual labor because you’re not fit for anything else. You’re
just a bag of easy words. If it wasn’t for your parents I’d punch you
in the face and teach you a lesson!”
Mrs. Felman, who had been knitting on the rear porch, rushed into the
room.
“Boys, boys, stop it!” she cried, in anguish. “Are you out of your
minds--fighting in the house! Don’t pay any attention to what Carl
says, Al. You know he’s crazy and not responsible.”
“Well, after all, you’re right, I shouldn’t pay any attention to him,”
said Levy with a sulky loftiness. “I only spoke to him for your sake,
you know, but I’ll leave him alone after this.”
Carl grimaced with the aid of his eyebrows and suppressed the easy
words with which he could have clubbed the man in front of him. After
Levy departed Carl fled to the street to escape his mother’s enraged
words concerning the possible loss of a valuable roomer.
CHAPTER VIII.
During the next two weeks Carl sat in his drably dark room, slowly
copying his poems with a stiff, perfect handwriting and mailing them to
magazines and newspapers, but rejection-slips, fresh from the printer,
began to reach him with each return mail. Many of his uncertain,
mystical poems were equal to the quality of verse maintained by certain
American publications, but editors scarcely ever trouble themselves
to read verse that is copied in pen and ink and bears the spirals of
deceptively boyish handwriting. Under the blow of each returned poem
Carl receded inch by inch to his old cell of faltering insignificance.
He went back to the tame routines of physical labor, finding work as
a plumber’s assistant, and still consoled himself by creeping, like a
soiled and weeping child, to Lucy’s blind and half-motherly worship.
One evening, after he had stepped into the brightly dismal sitting-room
of Lucy’s home, he noticed an uneasy politeness in the greeting of her
parents--the usual well-smeared cordiality was absent. At first he
felt that he might have made a mistake, but one glance at the nervous
distress upon Lucy’s transparent little face indicated that some
change had taken place in her family’s regard for him. Lucy was never
successful in her efforts at evasion, and each one of the pitifully
comical masks that she wore merely snugly revealed the outline of
the emotion which they were attempting to conceal. With a strained
gaiety she suggested a walk and after they had reached the street he
questioned her.
Public-domain text, read in full here on John Shaqi.
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