American fiction -- 20th century; Bohemianism -- Fiction
“Oh, people weary me so!” she said. “They’re so impossible most of the
time and so sublimely unaware of that fact! I’ve just come from seeing
an elderly woman who said that she might be interested in helping us.
She was fat and expensively gowned and she wanted to know whether we
wouldn’t print a story about the historical old families of this city
and how they had founded a great, commercial and romantic fabric. I
told her that we were concerned with the restless and flaming present,
with the artists and thinkers of our own time, and not with respectable
tradespeople of the past. Of course I put it as nicely as I could but
she flew into a temper and said I was insulting the people who had
built up a great and mighty city.... O people are so impossible!”
Carl envied the excited flow of her words and wished that he could also
feverishly felicitate his emptiness at that particular moment.
“I felt like telling her that men who’ve made money and put up ugly
buildings aren’t necessarily important enough to talk about,” said
Helen, with a hollow seriousness, “but of course I didn’t for fear of
hurting Mart’s chances.”
“I get so tired of wasting words on people who lead monotonous lives
and can’t see the variety and beauty within life,” said Martha.
“When you talk to them they treat you as though you were a little,
misbehaving girl who would soon be spanked and put to bed. ‘O you’ll
soon get over all of this artistic nonsense,’ they say.”
“Ah, they can’t see that a defiance like yours, Mart, is a fire that
only grows stronger when someone tries to put it out,” said Helen with
a spontaneously rhetorical worship.
Carl grinned at the dramatic sincerity with which these two women
lunged at colossal targets.
“What’s all of this endless stuff about beauty?” he asked. “Beauty,
beauty, I’m tired of the label. No specific description but just
a nice, sonorous word. You might exalt your loves and punish your
aversions with a little more clarity.”
“O you can’t diagram it as though it were a problem in mathematics!”
cried Martha. “It’s too big and mysterious for that. You simply know
it when you see it. It quickens your breath and drops like music upon
your soul. It’s the thing that makes you know that you have a soul--the
radiant weariness that springs from everything that is strong, and
lonely, and delicate, and elusive, and tortured.”
“The adjectives are stirring and the fact that they happen to be
meaningless is of little importance,” said Carl. “I like the way in
which you make love to your emotions.”
Martha gave a grimace of exasperation.
“You’re the most insincere man I know,” she said. “Some day I’ll fall
in love with a man who can be sincerely brilliant and beautiful and
who doesn’t put his words together carefully, as though they were
unimportant toys.”
“Such a fate may be exactly what you deserve,” said Carl, still
grinning.
Public-domain text, read in full here on John Shaqi.
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