American fiction -- 20th century; Bohemianism -- Fiction
He began to turn his eyes impatiently toward the office door. Martha
had left him in charge, promising to return in an hour, but he knew
that her hours were frequently afternoons as she cavorted around the
city, throwing out miniature whirlwinds of appeals for money and
attention. In a corner of the office stood a huge photograph of her
latest god--a middle-aged, hawk-faced lecturer from England--that
fertile land from whence all lecturers flow--a man who had recently
startled the city by speaking on Oscar Wilde, dressed in a black robe
and standing in a chamber dimly disgraced by candles, incense, and
muslin poppies. The theatrically savage features of this man rested
beneath a framed letter from a prominent writer--one of those abortions
in which the great man tells a small magazine that he earnestly hopes
that it will amount to something and believes that it can accomplish
a great purpose if it pursues the ideals which have illuminated his
work. Carl’s eyes sought this framed joke for the hundredth time,
since his mood needed such artificial humor to make it less aware of
itself, and at this moment Martha came with the rapid gait of one who
is returning to vast and uncompleted tasks, although her day’s labors
were at an end. This was not a pose but merely a bouncing overabundance
of energy. With her was Helen Wilber, a young disciple who scarcely
ever left her side. Helen had fled from a wealthy family in another
city and traded her debutante’s excuse for the more fanciful robe of an
ecstatic pilgrim starting to ascend from the base of veiled mountains
of expression. She darted about on errands and interviews and felt the
humble fervors of a novice--a tall, heavy girl with a long, soberly
undeveloped face and abruptly turned features that were garlanded with
freckles. She had made a fine art of her determination to persuade
herself that she was masculine, giving it the intense paraphernalia of
stolen words and gestures, but beneath her dubiously mannish attire and
desperately swinging limbs the desires of an average woman were feebly
questioning the validity of her days. She greeted Carl with her usual
ringing assumption of boyishness.
“Hello, old top! Been waiting long?”
“Not as long as I expected to wait, considering Martha’s superb
indifference to the impudence of time. Well, Martha, how have you been
insulting actualities--with your usual crescendoes of insanity?”
Martha reached for the device of quickly sliding the tip of her tongue
over her upper lip, a movement that always gave its opiate to her
embarrassment or dismay, and then smiled with a softly tragic aloofness.
Public-domain text, read in full here on John Shaqi.
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