Napoleon, it is well known, had the highest admiration of Louis XIV. Nor is this surprising: their principles of government and leading objects of ambition were the same. "L'état _c'est moi_," was the principle of this grandson of Henry IV.: "Your first duty is _to me_, your second to France," said the Emperor to his nephew Prince Louis Napoleon. In different words, the idea was the same. To concentrate Europe in France, France in Paris, Paris in the government, and the government in himself, was the ruling idea of each. But it was no concentration for selfish or unworthy purposes which was then desired; it was for great and lofty objects that this undivided power was desired. It was neither to gratify the desire of an Eastern seraglio, nor exercise the tyranny of a Roman emperor, that either coveted unbounded authority. It was to exalt the nation of which they formed the head, to augment its power, extend its dominion, enhance its fame, magnify its resources, that they both deemed themselves sent into the world. It was the general sense that this was the object of their administration which constituted the strength of both. Equally with the popular party in the present day, they regarded society as a pyramid, of which the multitude formed the base, and the monarch the head. Equally with the most ardent democrat, they desired the augmentation of the national resources, the increase of public felicity. But they both thought that these blessings must descend from the sovereign to his subject, not ascend from the subjects to their sovereign. "Every thing _for_ the people, nothing _by_ them," which Napoleon described as the secret of good government, was not less the maxim of the imperious despot of the Bourbon race. The identity of their ideas, the similarity of their objects of ambition, appears in the monuments which both have left at Paris. Great as was the desire of the Emperor to add to its embellishment, magnificent as were his ideas in the attempt, he has yet been unable to equal the noble structures of the Bourbon dynasty. The splendid pile of Versailles, the glittering dome of the Invalides, still, after the lapse of a century and a half, overshadow all the other monuments in the metropolis; though the confiscations of the Revolution, and the victories of the Emperor, gave succeeding governments the resources of the half of Europe for their construction. The inscription on the arch of Louis, "Ludovico Magno," still seems to embody the gratitude of the citizens to the greatest benefactor of the capital; and it is not generally known that the two edifices which have added most since his time to the embellishment of the metropolis, and of which the revolution and the empire are fain to take the credit--the Pantheon and the Madeleine--were begun in 1764 by Louis XV., and owe their origin to the magnificent ideas which Louis XIV. transmitted to his, in other respects, unworthy descendant.[1]