The cathedrals of Denmark are of great antiquity. Those of Ribe, of
Viboig in Jutland, of Lard, Ringsted, and Roeskilde, in Zealand,
all date from the end of the eleventh, or the beginning of the
twelfth century; since which remote period, in fact, no churches
of any magnitude have been erected. Roeskilde is one of the oldest
cities in the kingdom. In the tenth century it was the capital.
Canute the Great may be considered as the originator and founder of
its existing cathedral, which was completed in the year 1054. It
has occasionally undergone slight repairs, but never any material
alteration. The edifice is full of monuments of the queens and
kings of the ancient race of Valdemar, as well as of those of the
present dynasty. Some of the earliest sovereigns are inclosed within
the shafts of the pillars, or in the walls themselves; a mode of
sepulture, it would appear, as honourable as it is singular, since
we find amongst the immured the great _Svend Etridsen_, and other
renowned and pious benefactors of the church. In front of the
altar is the simple sarcophagus of Margaret, the great queen of
Scandinavia, erected by her successor, Eric the Pomeranian. The
queen is represented lying at full length, with her hands devoutly
folded on her breast. At this sarcophagus our author lingers for a
moment to express sentiments which would have brought down upon him
the anathemas of the good John Knox, could that pious queen-hater
but have heard them. Mr Kohl defies you to produce, from the number
of royal ladies who have held supreme power in the world, one
instance of inadequacy and feebleness. Every where, he insists,
examples of female nobility and strength of character are found
linked with the destinies of kings who have earned for themselves no
better titles than those of the _fainéant_ and the simple. The style
of Roeskilde cathedral is pure Gothic; but in consequence of the
additions which the _interior_ has received from time to time from
kings and prelates, that portion of the edifice is more remarkable
for historical interest than for purity of style or architectural
beauty. One incident in connexion with this building must not
be omitted. When Mr Kohl quitted the cathedral, he offered his
cicerone a gratuity. The man respectfully declined accepting even
the customary fees. The reason being asked of a Danish gentleman,
the latter answered, that the man was a patriot, and proud of the
historical monuments of his country; it would be degradation to take
reward from a stranger who seemed so deeply interested in them.
One would almost suspect that this honest fellow was _a verger of
Westminster Abbey_!
Public-domain text, read in full here on John Shaqi.
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