The church of St Kund, at Odense, was erected in honour of King
Kund, murdered in the year 1100 in the church of St Alben, at
Odense. The bones of the canonised were immured in the wall over
the altar. Many sovereigns have been interred here. Indeed, it is a
singular fact that the respective burial-places of every Christian
king of Denmark, from the earliest times up to the present day,
are traced without the slightest difficulty; whilst every heathen
sovereign, of whom any historical record remains, lies buried
beneath a mound within sight of Seire, the old heathen capital of
the country. St Kund's church is of Gothic architecture. Amongst the
many paintings that decorate its walls is one of a female, known as
_Dandserinden_, or "The Dancer." She is the heroine of a tradition,
met with under slightly modified forms in various parts of Denmark.
It is to the following effect:--A young lady, of noble family, went
accompanied by her mother to a ball; and being an indefatigable
dancer, she declared to her parent, who bade her take rest, that she
would not refuse to dance even though a certain gentleman himself
should ask her as a partner. The words were scarcely uttered before
a finely dressed youth made his appearance, held out his hand, and,
with a profound obeisance, said, "Fair maiden, let us not tarry."
The enthusiastic dancer accepted the proffered hand, and in an
instant was with the moving throng. The music, at that moment,
seemed inspired by some invisible power--the dancers whiled round
and round, on and on, one after the other, whilst the standing
guests looked upon all with dread horror. At length, the young
lady grew pale--blood gushed from her mouth--she fell on the floor
a corpse. But her partner, (we need not say who _he_ was,) first
with a ghastly smile, then with a ringing laugh, seized her in his
arms, and vanished with her through the floor. From that time she
has been doomed to dance through the midnight hours, until she can
find a knight bold enough to tread a measure with her. Regarding the
sequel, however, there are a number of versions.
Public-domain text, read in full here on John Shaqi.
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