NORTH.
Milton, who had unremittingly studied the classical Art of Poetry, and
who brought into the service of his great and solemn undertaking all the
resources of poetical Art, which prior ages had placed at his disposal,
whose learning, from the literature of the world, gathered spoils to
hang up in the vast and glorious temple which he dedicated—He might,
without offence to the devout purpose of his own soul, borrow from the
devotion of those old pagan worshippers the hint, and partially the
form, of those exordial supplications.
SEWARD.
He opens the _Paradise Lost_ with Two Invocations. Both implore aid. But
the aid asked in one and in the other is different in kind, as the Two
Powers, of whom the aid is asked, are also wholly different. Let us look
at these two Invocations in the order in which they stand.
“Of Man’s first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, heavenly Muse, that, on the sacred top
Of Oreb, or of Sinai, didst inspire
That shepherd, who first taught the chosen seed,
In the beginning how the heavens and earth
Rose out of chaos: or, if Sion hill
Delight thee more, and Siloa’s brook that flow’d
Fast by the oracle of God; I thence
Invoke thy aid to my adventurous song,
That with no middle flight intends to soar
Above the Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
And chiefly Thou, O Spirit, that dost prefer
Before all temples the upright heart and pure,
Instruct me, for Thou know’st: Thou from the first
Wast present, and, with mighty wings outspread,
Dove-like, sat’st brooding on the vast abyss,
And mad’st it pregnant: what in me is dark,
Illumine: what is low, raise and support;
That to the height of this great argument
I may assert eternal Providence,
And justify the ways of God to men.”
The First is taken, hint and form both, from Homer. Homer, girding up
his strength to sing the war of confederated Greece against Troy and her
confederates, makes over his own overpowering theme to a Spirit able to
support the burden—to the Muse.
Sing, Goddess, he begins, the Anger of Achilles.
NORTH.
Public-domain text, read in full here on John Shaqi.
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