Even so Milton. After proposing in a few words the great argument of his Poem—that fatal first act of disobedience to the Creator, by which our First Parents, along with His favour, forfeited Innocence, Bliss, Immortality, and Paradise, for themselves and their posterity, until the coming of the Saviour shall redeem the Sin and loss—he devolves his own task upon a Muse, whom he deems far higher than the Muse of his greatest predecessor, and whom he, to mark this superiority, addresses as the _Heavenly Muse_. TALBOYS. She is the Muse who inspired on the summit now of Horeb, now of Sinai; when for forty years in retreat from his own people, yet under their Egyptian yoke, he kept the flocks of his father-in-law Jethro—the actual Shepherd who, from communing with God and commissioned by God, came down into Egypt again to be the Shepherd of his people and to lead out the flock of Israel. SEWARD. She is the Muse who, when the Hebrew tribes were at length seated in the promised land—when Zion in the stead of Sinai was the chosen Mountain of God—inspired Psalmists and Prophets. TALBOYS. And the reason is manifest for the distinguishing of Moses. For all critics of the style of the inspired Writers distinguish that of Moses from all the others, as antique, austere, grave, sublime, as if there were in him who conversed personally with God greater sanctity of style, even as his face shone when he came down from the Mount; as the whole character and office of Moses was held by the Hebrews, and is held, perhaps, by us, as lifting him above all other prophetic leaders. NORTH. He was the founder of the Nation, and the type of the Saviour. TALBOYS. Milton desires for his work, all qualities of style, as the variable subject shall require them. Not only the high rank of Moses as the author of the Pentateuch required that he should be named, but this in particular, that Moses was the historian of the Creation and Fall. NORTH. One might for a moment be tempted to confound the inspiration here meant with that highest inspiration which was vouchsafed in those holy places, and which we distinguish by the unequivocal name of revelation. But on reflection we perceive it not possible that Milton should have ascribed such an office to an Impersonation—those awful Communications which distinguished those persons chosen by the Almighty to be the vessels of his Will to the Children of Men. His revelations, we are instructed to believe, are immediately from himself. TALBOYS. Somebody said to me once that Milton’s First Invocation to the Muse is oppressed with Mountains; that it is as if he had shaken out what he had got under the head Mountains, in his Common-Place Book; and— NORTH.