Blackwood's Edinburgh Magazine, Vol. 75, No. 463, May, 1854 — John Shaqi
Blackwood's Edinburgh Magazine, Vol. 75, No. 463, May, 1854Various
History
Blackwood's Edinburgh Magazine, Vol. 75, No. 463, May, 1854
Various
England -- Periodicals; Scotland -- Periodicals
As to the actual amount of poetic genius and accomplishment which Mr
Percy Jones possesses, there may, even among the circle of his friends,
be considerable difference of opinion. Those who admire spasmodic throes
and writhings may possibly be inclined to exalt him to a very high
pinnacle of fame; for certainly, in no modern work of poetry—and there
have been several recently published which might have borne the
_imprimatur_ of Bedlam—have we found so many symptoms of unmistakable
lunacy. Still there is a method in his madness—a rapidity of perception
and originality of thought, which contrasts very favourably with the
tedious drivellings of some other writers of the same school. His taste
is not one whit better than theirs, but he brings a finer fancy and a
more vivid imagination to the task; nor is he deficient in a certain
rude exaggerated dramatic power, which has more than once reminded us of
the early style of Marlowe and the other predecessors of Shakespeare.
It is not very easy to comprehend the exact creed and method of the new
school of poets, who have set themselves to work upon a principle
hitherto unknown, or at all events unproclaimed. This much we know from
themselves, that they regard poetry not only as a sacred calling, but as
the most sacred of any—that, in their opinion, every social relation,
every mundane tie, which can interfere with the bard’s development, must
be either disregarded or snapped asunder—and that they are, to the
fainting race of Adam, the sole accredited bearers of the Amreeta cup of
immortality. Such is the kind of nonsense regarding the nature of his
mission which each fresh poetaster considers it his duty to enunciate;
and as there is nothing, however absurd, which will not become credited
by dint of constant repetition, we need not be surprised that some very
extraordinary views regarding the “rights of genius” should of late
years have been countenanced by men who ought to have known better.
Poets are, like all other authors or artisans, valuable according to the
quality of the article which they produce. If their handiwork be good,
genuine, and true, it will pass at once into circulation and be
prized—if the reverse, what title can they prefer to the name which they
so proudly arrogate to themselves?
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