Somehow or other an author always falls upon his feet. If you,
dear reader, without any other recommendation than the figure and
countenance which nature has bestowed upon you--even though you have
never been solicited to join a gipsy encampment, or to participate in
the mysteries of thimble-rig--should start upon a pedestrian expedition
through these islands, rather shabbily attired, and carrying your
bundle on the end of your stick, the odds are that you do not meet
at every turn with a beneficent squire of considerable fortune, but
eccentric literary habits, to invite you to make his house your home so
long as you may please to honour it. This may be a reflection on modern
hospitality; however, try the experiment for yourself, and you will
find that we are right in our assumption. But, if you are an author,
the case is very different--at least it will be different when you
print. The _mens divinior_ will have come out in some way which passes
human understanding. You may have been standing flattening your nose
against an alehouse window, thinking perhaps intently on the means of
liquidating your reckoning, when a chariot shall arrest itself at the
door; a metaphysical gentleman steps out, for the apparent purpose of
regaling himself with a glass of bitters; and in the course of five
minutes' conversation, you so gain his heart, that you are whirled off
to the mansion-house or the lodge, and forced to submit, for the next
fortnight, to a regimen of turtle, venison, and claret. Such are the
horrid but unavoidable nuisances of superior mental cultivation. It is
no use struggling against the stream--you must perforce submit to it.
And accordingly, when you publish, you enter a proper protest against
the violence which has been done to your feelings, by removing you from
a damp truckle-bed to a couch of eider down; and by forcing down your
throat abhorred foreign luxuries, in place of that bread-and-cheese
which you patriotically preferred as your nutriment.
Public-domain text, read in full here on John Shaqi.
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