Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851 — John Shaqi
Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851Various
General
Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851
Various
England -- Periodicals; Scotland -- Periodicals
"Now recommenced the reign of rest and affection and stillness.
Day with its burden and heat had departed, and twilight descending
Brought back the evening star to the sky, and the herds to the
homestead.
Pawing the ground they came, and resting their necks on each other,
And, with their nostrils distended, inhaling the freshness of
evening.
Foremost, bearing the bell, Evangeline's beautiful heifer,
Proud of her snow-white hide, and the ribbon that waved from her
collar,
Quietly paced and slow, as if conscious of human affection.
Then came the shepherd back with his bleating flocks from
the sea-side,
Where was their favourite pasture. Behind them followed the
watch-dog,
Patient, full of importance, and grand in the pride of his instinct,
Walking from side to side with a lordly air."----
All this quiet happiness was to cease. The village itself was to be
depopulated.
"_There_ o'er the yellow fields, in silent and mournful procession,
Came from the neighbouring hamlets and farms the Acadian women,
Driving in ponderous wains their household goods to the sea-shore,
Pausing, and looking back to gaze once more on their dwellings,
Ere they were shut from sight by the winding roads and the woodlands.
Close at their sides their children ran, and urged on the oxen,
_While in their little hands they clasped some fragments of
playthings_."
If in "Evangeline," Mr Longfellow has hazarded a trial upon our
patience, in the "Spanish Student," on the contrary--which, being in
the dramatic form, had a certain privilege to be tedious--he has been
both indulgent and considerate to his reader. It is properly called
a play, for it does not attempt the deep passion of tragedy. It is
spirited and vivacious, and does not exceed three acts. Hypolito, a
student who is not in love, and therefore can jest at those who are,
and Chispa, the roguish valet of Victorian, the student who is in
love, support the comic portion of the drama. Chispa, by his Spanish
proverbs, proves himself to be a true countryman of Sancho Panza. We
must give a specimen of Chispa; he is first introduced giving some very
excellent advice to the musicians whom he is leading to the serenade:--
"_Chispa._--Now, look you, you are gentlemen that lead the life
of crickets; you enjoy hunger by day, and noise by night. Yet
I beseech you, for this once, be not loud, but pathetic; for
it is a serenade to a damsel in bed, and not to the Man in the
Moon. Your object is not to arouse and terrify, but to soothe
and bring lulling dreams. Therefore each shall not play upon
his instrument as if it were the only one in the universe, but
gently, and with a certain modesty, according with the others.
What instrument is that?
_1st Mus._--An Arragonese bagpipe.
Public-domain text, read in full here on John Shaqi.
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