Illegitimate children -- Fiction; Man-woman relationships -- Fiction; Middle West -- Fiction
The church itself was charming to look at, built in the late ’eighties
of shingles now coloured a warm brown by many rains, and properly
vine-hung. The little building with its limited open meadow and
well-grown trees drew him at times when he had no particular business
there. It was a favourite place to read. Often he would arrive an hour
or more before the service and sit huddled up in one of the corners
of the deep verandah, intent upon his pastime, until the brisk step
of the rector sounded on the boards below; and if Dr. Minor happened
to espy him he would be conducted cheerily into the study, while the
lanky priest put on his vestments and asked him questions about his
work at school and the health of his “dear mother,” who, much to the
clergyman’s disappointment, came almost never to the services.
These innocent confidences sometimes went so far as a mild spiritual
examination which had more significance than its casualness indicated.
Minor regarded young Osprey as promising material for the ministry.
“The type for scholarship and consecration,” he told his wife. “A
sensitive boy, thoughtful and retiring--Oh, manly, manly enough! A
little conviction would turn that into spiritual leadership. His family
could do nothing better than give him a seminary training. And a part
of our duty, my dear, is to be fishers of men, to look out for new
recruits to bring under His banner.”
Minor loved to roll forth militant symbols in his reflections upon the
mission of the Church. His early gods had been the deeply pious heroes
of the South. Stonewall Jackson and General Lee took rank with him very
little below the Apostles.
There was one other who shared this secret ambition for Potter--Ellen
Sydney--until a recent incident in which he had figured shook her faith.
This affair produced something of a scandal in the Osprey family.
Searching one day through the shelves of an old closet for one of
his brother Kirk’s discarded school books which it was now his turn
to use, the boy had come across a half dozen large, handsomely bound
portfolios. He had drawn one out and leaved it over, fascinated on the
instant. The sheets were of lovely texture, beautifully printed, and
the covers of a flexible, warm-toned, heavy parchment. He felt a sense
of incomparable luxury in the very touch of the books.
The contents were no less absorbing. Between the pages of French
text were reproductions of paintings hung in the Paris salons of the
mid-’nineties, the majority of them nudes of that languishing and
silken type beloved by the French school of that day, the studio
renderings of a flock of anonymous Bouguereaus. Forgetting his search
for the school books, Potter took the volumes to an attic room where he
consulted them many times in the following weeks, and a collection of
nude sketches came from his pencil, copied sometimes from the originals
and sometimes attempted from memory.
Public-domain text, read in full here on John Shaqi.
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