Bildungsromans; Blind -- Fiction; Parent and child -- Fiction; Young men -- Fiction
But what was the good of dreaming?--dreaming never did anyone any good.
There was George, he might be working in the meadow to-morrow, and then
she would lean over the stile--climb over the stile?--and talk to him
and get a few shy answers back, perhaps. George was wonderful, George
was so exciting. With his fair hair, with his honey-coloured eyes, with
his brick-red face so passionate, with his strength, with his smell.
The one that drove the milk factory’s lorry and that was always smoking
a cigarette on his upper lip and that had that look in his eyes like a
snake looking for his prey, she could not understand how she had seen
anything in him. But George, with his honey-coloured ones, slow, but
with it at the back of them, and with his shortness, and with his
force, oh, it would, it must be something this time after such years of
waiting. To find out all about it. “Yes, George, go on, go on.”
What nice toes she had, except that the nails were rather dirty. But
what was the good of keeping clean now? They weren’t in the Vicarage
any more, and there was no one to tell her how dirty or how pretty they
were, except Father when he was drunk, but that, of course, did not
count. George would say all that. She would teach him, if he didn’t
know.
She moves to a looking-glass and wrestles with her hair. In the glass
was the brown-papered wall behind, the paper hanging in strips, showing
the yellow plaster beneath. Those holes in the roof. And there was the
rash that broke out in the top right-hand corner of the glass where the
paint had come off the back. She was so miserable. The only chair has
no back, and the front leg is rickety, so that you have to lean over to
the right when you sit down. The bare boards of the floor are not
clean, the bed-clothes are frowsy, the pillow greasy. Everything is
going to go wrong to-day. It is close in here. She goes across the room
and flings the window open. By the window there was a small table, on
it a looking-glass. She never used this one because you had to sit down
to it, and that was tiresome. Draped round the oval frame and tied in
wide, drooping bows to the two uprights was a broad white ribbon. Tied
to the handles of the two drawers beneath were white bows also. On the
low table were hair-brushes, a comb with three teeth out, a saucer full
of pins and hairpins and safety pins and a medicine bottle, empty, with
a bow round the neck made out of what had been left of the white
ribbon. Violets, in a little bunch, lay by the bottle, dead.
She goes through the door into the next room, which is his. He is lying
noisily asleep, with the bed-clothes half off his chest, and his red
beard is spread greasily over the lead-white of his skin. One arm hangs
down to the floor, the other, trying to follow it, is flung across his
chest. His face has a nose, flat, hair red and skin blotchy. There is
the usual homely smell of gin. The window was wide open to let out the
snores.
Public-domain text, read in full here on John Shaqi.
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