Europe -- Social life and customs -- Fiction; New Zealand -- Social life and customs -- Fiction; Short stories, New Zealand
In the kitchen at the long deal table under the two windows old Mrs.
Fairfield was washing the breakfast dishes. The kitchen window looked
out on to a big grass patch that led down to the vegetable garden and
the rhubarb beds. On one side the grass patch was bordered by the
scullery and wash-house and over this whitewashed lean-to there grew a
knotted vine. She had noticed yesterday that a few tiny corkscrew
tendrils had come right through some cracks in the scullery ceiling and
all the windows of the lean-to had a thick frill of ruffled green.
“I am very fond of a grape vine,” declared Mrs. Fairfield, “but I do
not think that the grapes will ripen here. It takes Australian sun.”
And she remembered how Beryl when she was a baby had been picking some
white grapes from the vine on the back verandah of their Tasmanian
house and she had been stung on the leg by a huge red ant. She saw
Beryl in a little plaid dress with red ribbon tie-ups on the shoulders
screaming so dreadfully that half the street rushed in. And how the
child’s leg had swelled! “T—t—t—t!” Mrs. Fairfield caught her breath
remembering. “Poor child, how terrifying it was.” And she set her lips
tight and went over to the stove for some more hot water. The water
frothed up in the big soapy bowl with pink and blue bubbles on top of
the foam. Old Mrs. Fairfield’s arms were bare to the elbow and stained
a bright pink. She wore a grey foulard dress patterned with large
purple pansies, a white linen apron and a high cap shaped like a jelly
mould of white muslin. At her throat there was a silver crescent moon
with five little owls seated on it, and round her neck she wore a watch
guard made of black beads.
It was hard to believe that she had not been in that kitchen for years;
she was so much a part of it. She put the crocks away with a sure,
precise touch, moving leisurely and ample from the stove to the
dresser, looking into the pantry and the larder as though there were
not an unfamiliar corner. When she had finished, everything in the
kitchen had become part of a series of patterns. She stood in the
middle of the room wiping her hands on a check cloth; a smile beamed on
her lips; she thought it looked very nice, very satisfactory.
“Mother! Mother! Are you there?” called Beryl.
“Yes, dear. Do you want me?”
“No. I’m coming,” and Beryl rushed in, very flushed, dragging with her
two big pictures.
“Mother, whatever can I do with these awful hideous Chinese paintings
that Chung Wah gave Stanley when he went bankrupt? It’s absurd to say
that they are valuable, because they were hanging in Chung Wah’s fruit
shop for months before. I can’t make out why Stanley wants them kept.
I’m sure he thinks them just as hideous as we do, but it’s because of
the frames,” she said spitefully. “I suppose he thinks the frames might
fetch something some day or other.”
“Why don’t you hang them in the passage?” suggested Mrs. Fairfield;
“they would not be much seen there.”
Public-domain text, read in full here on John Shaqi.
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